This follow-up to Trust Your Heart (1987), the continuing autobiography of singer and songwriter Collins, is sometimes poignant but poorly constructed. The framing device for this account is the 1992 suicide of Collins’s son Clark, whose struggles with drug abuse and alcoholism were detailed in the earlier book (along with depictions of Collins’s own problems in that regard). However, rather than telling her story from this event forward, she instead backtracks to her childhood and adolescence in Colorado and California, her father’s alcoholism, and her failed first marriage. The treatment of her father’s drinking renders him bizarrely and unevenly as a character in her narrative: One moment he’s a much-loved inspiration, and the next minute, without transition or segue, he’s a raging drunk. Perhaps this is what life with him was like, but the situation begs for further explanation. There are between-chapter meditations from Collins’s journal on the death of her son, but only in the post-suicide chapters (far into the story) do we find any narrative cohesion at all. Sadly enough, it is really the journal excerpts that provide the strongest material here. Collins might have done better to have edited her journal into a text rather than try to interpolate an autobiography in the spaces between. Too much of this text is merely a combination of name-dropping (from her romantic liaisons with Stephen Stills and Stacy Keach to her friendship with Bill and Hillary Clinton) and overwritten prose, characterized by an apparent need to modify every noun with an adjective and every adjective with an adverb.
Pub Date: Oct. 1, 1998
ISBN: 0-671-00397-6
Page Count: 416
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1998
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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