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SWEET JUDY BLUE EYES

MY LIFE IN MUSIC

Despite Collins’ tendency to lapse into high-toned idealism and compulsive name-dropping, this is a fascinating and even...

Famed folk singer’s candid memoir about her survival in the music business despite a 20-year battle with booze.

Although classically trained folkie Collins (Singing Lessons, 1998, etc.) may exude an angelic veneer of ivory-snow purity and Midwestern conservatism, this memoir should dispel any remaining air of innocence surrounding the woman who made Stephen Sondheim’s saccharine “Send In the Clowns” a top-10 hit. Collins was raised in a middle-class family in Colorado at the beginning of World War II. Her father was a blind radio personality with some modicum of notoriety. However, he was also a depression-prone alcoholic whose addictive personality got passed down to his musician daughter with full potency. Although this is as booze-soaked a memoir as any rock star could hope to write, Collins provides a panoramic view of a politically turbulent but creatively explosive bygone era. Along with telling the story of her own rise to prominence in the mid-’60s New York City folk scene, the author also places her life in its broader historical context. Readers will get a keen sense of the tenor of the times as Collins repopulates the Greenwich Village streets with all the vibrant characters and long-vanished performance venues that helped make that neighborhood famous. Though she married young, Collins soon became something of a notorious serial monogamist, zipping from one partner to another with striking frequency, even for the free-love generation: Collins shared a bed with everyone from an English professor to rock star Stephen Stills. Although the author is refreshingly forthcoming about her promiscuity, she never spends much time second-guessing her frequent and sometimes overlapping relationships with men. Up through her popular mainstream success in the ’70s, Collins continued her struggle with alcohol addiction and fragmented relationships until around 1978, when she finally found some grounding in her life.

Despite Collins’ tendency to lapse into high-toned idealism and compulsive name-dropping, this is a fascinating and even harrowing musical and personal reflection.

Pub Date: Oct. 18, 2011

ISBN: 978-0-307-71734-4

Page Count: 368

Publisher: Crown Archetype

Review Posted Online: Aug. 15, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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