Despite Collins’ tendency to lapse into high-toned idealism and compulsive name-dropping, this is a fascinating and even...
Famed folk singer’s candid memoir about her survival in the music business despite a 20-year battle with booze.
Although classically trained folkie Collins (Singing Lessons, 1998, etc.) may exude an angelic veneer of ivory-snow purity and Midwestern conservatism, this memoir should dispel any remaining air of innocence surrounding the woman who made Stephen Sondheim’s saccharine “Send In the Clowns” a top-10 hit. Collins was raised in a middle-class family in Colorado at the beginning of World War II. Her father was a blind radio personality with some modicum of notoriety. However, he was also a depression-prone alcoholic whose addictive personality got passed down to his musician daughter with full potency. Although this is as booze-soaked a memoir as any rock star could hope to write, Collins provides a panoramic view of a politically turbulent but creatively explosive bygone era. Along with telling the story of her own rise to prominence in the mid-’60s New York City folk scene, the author also places her life in its broader historical context. Readers will get a keen sense of the tenor of the times as Collins repopulates the Greenwich Village streets with all the vibrant characters and long-vanished performance venues that helped make that neighborhood famous. Though she married young, Collins soon became something of a notorious serial monogamist, zipping from one partner to another with striking frequency, even for the free-love generation: Collins shared a bed with everyone from an English professor to rock star Stephen Stills. Although the author is refreshingly forthcoming about her promiscuity, she never spends much time second-guessing her frequent and sometimes overlapping relationships with men. Up through her popular mainstream success in the ’70s, Collins continued her struggle with alcohol addiction and fragmented relationships until around 1978, when she finally found some grounding in her life.
Despite Collins’ tendency to lapse into high-toned idealism and compulsive name-dropping, this is a fascinating and even harrowing musical and personal reflection.Pub Date: Oct. 18, 2011
ISBN: 978-0-307-71734-4
Page Count: 368
Publisher: Crown Archetype
Review Posted Online: Aug. 15, 2011
Kirkus Reviews Issue: Sept. 1, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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