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SOUTHERN FRIED DIVORCE

A WOMAN UNLEASHES HER HOUND AND HIS DOG IN THE BIG EASY

A love story that just keeps on going.

A sassy dame who sounds tough—but at heart isn’t—tells her life story.

Or some part of it. Originally issued by a local publisher in New Orleans, where the action takes place, Conner’s debut ruefully recalls her marriage, divorce, and a brown dog the couple shared. She offers an assertive gumbo of anecdotes, memories, and recipes, seasoned with sharp opinions and held together by the pet. The Mississippi-born author tries, at times even strains, to sound like a hard-bitten good ol’ girl who gives as good as she gets. She begins by explaining that the man she calls “ex-husband” gave her the dog after their divorce, supposedly to keep her safe in her new apartment. But ex-husband is never quite out of her life—she still helps out at the bar he runs, they still go out—and soon the animal spends most of its time with him. Ex-husband and dog go everywhere together: bars, parties, and restaurants where the waiters cut up steak for the pooch and serve it to him on the sidewalk. In a city famously tolerant of eccentricity, no one objects when the dog sits in the driver’s seat while ex-husband works the pedals and steers from the side. (Conner offers other anecdotes about Big Easy weirdness, including a party at the Mausoleum and a backpack filled with beer worn to the big game.) As she considers her ongoing life, with ex-husband still in the picture and occasionally in her bed, the author flashes back to their first meeting in college, hints at his infidelities, and describes how she set about divorcing him, after making sure that she would be awarded alimony. Though Conner plays hard for laughs, her story has an underlying sadness: the two can never keep apart for long, and when ex-husband becomes terminally ill, ex-wife is there with affection and support.

A love story that just keeps on going.

Pub Date: Jan. 3, 2005

ISBN: 1-592-40121-X

Page Count: 240

Publisher: Gotham Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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