There's something all too familiar about these 19 stories by first-timer Troy, and it's not just because they all first appeared in The New Yorker. Spare and quirky, these tales of love and loss, of smart kids and stupid parents, could have been written by a number of recent writers, beginning with Ann Beattie. The most memorable pieces here are four set in Florida that have the ring of autobiography. Together, they detail, from a young girl's point of view, a family's hapless trek from Indiana, with a detour in Nashville for her brother's emergency appendectomy, and their arrival in Jacksonville, where they live above a topless bar. Intending to join relatives in the Keys, the family collapses when the father dies in a construction accident. ``Family'' remains an elusive concept throughout many of these often glib narratives. The title story features an odd group of widows who fall in and out of love rather quickly. Ill-fated romance flourishes—a bachelor in his 50s pines for the girl in the trailer next door. A divorcÇe decides to marry her prison pen-pal; another teenaged boy ponders the fragility of marriage, at his sister's wedding; an 18-year-old mother sets her sights on an illegal alien; a confused 13-year-old girl has the hots for a middle-aged biker, and another late-bloomer sees all romance as disaster. The fear of loneliness plagues all sorts of couples—from the adulterer who's separated from his wife to the middle-aged gay man who senses the end of his long relationship. Three stories set in Kansas focus on a waitress separated from her loser husband. Her 15-year-old metalhead son threatens to leap from a water tower, while she's having an affair with her boss. Love, however hapless, Troy suggests, is still worth it. These mobile homes all look alike, and the same C&W songs seem to be playing everywhere. More drab prole fiction.

Pub Date: June 16, 1993

ISBN: 0-684-19369-8

Page Count: 160

Publisher: Scribner

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1993

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Shalvis’ latest retains her spark and sizzle.


Piper Manning is determined to sell her family’s property so she can leave her hometown behind, but when her siblings come back with life-changing secrets and her sexy neighbor begins to feel like “The One,” she might have to redo her to-do list.

As children, Piper and her younger siblings, Gavin and Winnie, were sent to live with their grandparents in Wildstone, California, from the Congo after one of Gavin’s friends was killed. Their parents were supposed to meet them later but never made it. Piper wound up being more of a parent than her grandparents, though: “In the end, Piper had done all the raising. It’d taken forever, but now, finally, her brother and sister were off living their own lives.” Piper, the queen of the bullet journal, plans to fix up the family’s lakeside property her grandparents left the three siblings when they died. Selling it will enable her to study to be a physician’s assistant as she’s always wanted. However, just as the goal seems in sight, Gavin and Winnie come home, ostensibly for Piper’s 30th birthday, and then never leave. Turns out, Piper’s brother and sister have recently managed to get into a couple buckets of trouble, and they need some time to reevaluate their options. They aren’t willing to share their problems with Piper, though they’ve been completely open with each other. And Winnie, who’s pregnant, has been very open with Piper’s neighbor Emmitt Reid and his visiting son, Camden, since the baby’s father is Cam’s younger brother, Rowan, who died a few months earlier in a car accident. Everyone has issues to navigate, made more complicated by Gavin and Winnie’s swearing Cam to secrecy just as he and Piper try—and fail—to ignore their attraction to each other. Shalvis keeps the physical and emotional tension high, though the siblings’ refusal to share with Piper becomes tedious and starts to feel childish.

Shalvis’ latest retains her spark and sizzle.

Pub Date: Jan. 28, 2020

ISBN: 978-0-06-296139-6

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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