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TIME SONG

JOURNEYS IN SEARCH OF A SUBMERGED LAND

A sensitively rendered chronicle of discovery.

A search for a lost land reveals secrets of prehistory.

In the early 1990s, archaeologist Bryony Coles began research to find evidence of a submerged land bridge connecting Britain to Europe, a place she named Doggerland, styling it after other lands (England, Jutland) abutting the sea. Coles is one among many individuals—paleontologists, archaeologists, anthropologists, geologists, fishermen, and fossil collectors—who shared their insights with Blackburn (Threads: The Delicate Life of John Craske, 2015, etc.) as she engaged in a quest to discover Doggerland’s past. Doggerland, she discovered, had been a solid landmass from 2.6 million years ago until melting ice and rising seas completely flooded it around 7,000 years ago. From a plethora of fossils—one researcher collected 150,000 kilos of bones, including 70,000 mammoth teeth—the author learned that early in its history, the area had been a savannah, where mammoths, woolly rhinos, and mastodon elephants grazed. As the climate became colder, the landscape was transformed into tundra, to which the mammoth, with its shaggy covering of hair, was well adapted to survive. A dramatic temperature rise 11,500 years ago produced marshes, swamps, rivers, and woodlands and an enormous density and diversity of wildlife. Artifacts offer proof that the land was inhabited, as well, by humans: Neanderthals hunted and gathered until they abruptly disappeared, victims of violent and dramatic confrontations.” They lived in settlements, able to form “a sedentary society,” Coles told Blackburn, “because the food they needed for survival came to them.” The author creates a lyrical narrative of her journey: deft portraits of the men and women she interviewed and poetic reflections on her discoveries, her husband’s death, and the infinity of the past. Her narrative is more poetic, surely, than her 18 “Time Songs,” whose rhythm and language are decidedly proselike. The book is illustrated with maps, and the songs are accompanied by pen-and-ink drawings, some evoking the fanciful style of Paul Klee, by Spanish painter Brinkmann, Blackburn’s longtime friend.

A sensitively rendered chronicle of discovery.

Pub Date: Aug. 6, 2019

ISBN: 978-1-101-87167-6

Page Count: 304

Publisher: Pantheon

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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