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BALCONY VIEW

A 9/11 DIARY

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An intimate memoir of love and loss in the shadow of 9/11.

On September 11, 2001, art historian Frey (Toulouse-Lautrec: A Life, 1995) and her husband, novelist Ronald Sukenick, lived in Battery Park City, where, from their 26th-floor apartment across from the World Trade Center, they witnessed that day’s terrorist attacks. This book is Frey’s diary-style account of the events of 9/11 and the six months that followed, which she endured while caring for her terminally ill partner. Her descriptions of the attacks and the chaotic evacuation of area residents are vivid, bringing immediacy to events most know only through pictures. Later, after she returns home, military checkpoints isolate her shattered neighborhood from the rest of Manhattan, while outside there’s a scene of unbearable devastation, as workers sift through rubble in a bleak search for the dead. At this point, Frey delves deeper, exploring the long-term impact of 9/11 and the challenges of caring for the frequently irascible Ronald, whose illness—inclusion body myositis—severely limits his mobility. While Frey strives to remain strong under increasing pressure, she begins to crack when faced with the constant presence of Ground Zero, the strain of supporting a failing spouse and the stress of a complicated love triangle. The disaster area outside her windows mirrors her mental distress; she compares her anger to “fire in the ruins.” As the book progresses, however, some of Frey’s readers may begin to lose patience, echoing the complaint of one friend that Frey has become “self-absorbed and obsessive.” Still, Frey resists the temptation to paint herself as a saint, instead writing with candor about her guilt, depression, fear and impatience, while also conveying her commitment to her husband, marriage and forging a path back to normalcy. While Frey’s writing is solid, if not spectacular, the book’s real power is its unflinchingly honest—if occasionally uncomfortable—discussion of the painful realities of love, illness and death. Engaging and candid; an insightful look at how one woman copes with personal and national trauma.

 

Pub Date: Dec. 2, 2011

ISBN: 978-1461138242

Page Count: 280

Publisher: CreateSpace

Review Posted Online: Feb. 29, 2012

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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