by Julian Berengaut ‧ RELEASE DATE: Aug. 27, 2014
An unusually structured, thoroughly researched and deeply felt work that creates an intimate portrait of two women and the...
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In Berengaut’s (The Estate of Wormwood and Honey, 2012) second novel, two women discuss love, physics, infidelity, polyamory, mathematics, the Holocaust and the importance of family.
Imagine if My Dinner with Andre, with its emphasis on dialogue and the nuanced analysis of past adventure and philosophy, took place between two contemporary, highly accomplished women having lunch. Berengaut has accomplished something remarkable: a novel composed entirely of dialogue, with no chapter breaks, that is riveting from beginning to end. Sabine Stern is an academic who is regularly invited to speak at top-tier universities, while Renata Rubinstein is a world-famous, wealthy intellectual married to a genius mathematician named Mark. Ostensibly, Sabine has arranged to meet Renata about a “personal matter,” but the conversation takes on incredible scope and depth, traversing the two women’s vast experience and knowledge, including their ancestors’ time in Nazi Germany and concepts of poetry and sexual fidelity. The narrative begins to take shape when Sabine mentions that she received an email out of the blue from Renata’s husband about a mathematical concept related to her work. Gradually, the women discover that their connection is about more than a simple chance email; the interweaving of their backgrounds, philosophies and approaches toward living has the potential to dramatically alter each of their destinies. The book’s strength is simultaneously its weakness. As Sabine and Renata discuss at one point: “It’s hard to believe that, once upon the time, people used to read philosophy for pleasure.” “It is a rather strange experience, reading those books. You understand the words, you sort of think that you understand the sentences, but the sense of paragraphs—not to say anything about whole chapters—is completely elusive.” Indeed, the engrossing narrative, which twists and turns through a variety of historical anecdotes and personal experiences, has no natural breaks, almost forcing readers to finish it in one sitting. However, the experience is a richly rewarding one, and the surprise ending is poignant without being sentimental. These mature, thoughtful women are unlike almost any others in popular contemporary literature, and their conversation—long, gorgeous, encompassing—is one of the most memorable in literature of the last 10 years.
An unusually structured, thoroughly researched and deeply felt work that creates an intimate portrait of two women and the decades they have thoughtfully inhabited.Pub Date: Aug. 27, 2014
ISBN: 978-1500856175
Page Count: 256
Publisher: CreateSpace
Review Posted Online: Oct. 21, 2014
Review Program: Kirkus Indie
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by C.S. Lewis ‧ RELEASE DATE: Jan. 1, 1942
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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