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BURNING DOWN THE HOUSE

NEWT GINGRICH, THE FALL OF A SPEAKER, AND THE RISE OF THE NEW REPUBLICAN PARTY

A masterfully written political road map for anyone wondering how we got to where we are, a bad place indeed.

Politics is war without blood, said Mao, but Newt Gingrich emerges as red in tooth and fang in this thoughtful study of his politics in action.

According to Zelizer’s (History and Public Affairs/Princeton Univ.; The Fierce Urgency of Now: Lyndon Johnson, Congress, and the Battle for the Great Society, 2015, etc.) account, Gingrich had acquired a thirst for political power by high school, announcing to a teacher that he intended to move to Georgia “to create a Republican Party.” That there was already such a party didn’t matter: He wasn’t in charge of it, and that was his first aim, certain as ever of the correctness of his views and the wrongness of his opponents. It took a few failed runs, but Gingrich rose steadily through the ranks of the Republican Party in Congress, undercutting his allies while waging ugly, unforgiving battles against his enemies. Gingrich, writes Zelizer, learned valuable lessons in leadership style and strategy alike from Richard Nixon, whom he credits with having gone after the overlooked blue-collar (and traditionally Democratic) vote shunned by the liberal/moderate wing of the GOP; he also changed the terms of the argument from “establishment versus outsider, not liberal versus conservative.” There are few admiring moments in the book since Gingrich is not an admirable man, but the author does give him points for chutzpah. After all, Gingrich based his empire-building campaigns in Congress on a war against corruption even as he was as guilty of it as anyone. Still, building much of his power on a concerted action to remove Speaker of the House Jim Wright from his post, he “made his biggest impact on the GOP by defining what partisanship should look like and by expanding the boundaries of what was permissible in the arena of congressional warfare.” In the bargain, writes Zelizer in this sharp, lucid portrait, he drew people even more radical than he into the party; in the end, they overthrew him, too.

A masterfully written political road map for anyone wondering how we got to where we are, a bad place indeed.

Pub Date: April 28, 2020

ISBN: 978-1-59420-665-8

Page Count: 368

Publisher: Penguin Press

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE WITCHES ARE COMING

Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living.

A cornucopia of shrewd cultural observations from New York Times columnist West (Shrill: Notes From a Loud Woman, 2016).

In 18 pointed essays, the author addresses a variety of topics, including frivolous internet sensation Grumpy Cat, South Park, Guy Fieri, and the global significance of abortion rights and gender equality. In West’s opening tirade, she denounces Donald Trump’s repetitive usage of the term “witch hunt” while scrutinizing his uncanny “ability to conjure reality out of hot air and spittle.” This essay serves as the launching pad for further pieces exposing the sorry state of contemporary American politics and popular culture. Tough, irritated, and eager to speak her truth, the author expounds on the unifying aspects of visibility and activism to cultivate change, especially when countering the denigration of women. Her sharp wit and no-nonsense sense of humor also shine through her dissection of the work of Adam Sandler, Gwyneth Paltrow’s diet plan (her avocado smoothie “could give diarrhea an existential crisis”), and how movies like Clue shaped her perspectives and appreciation for one-liners and physical comedy. West rarely minces words, especially regarding documentaries on the Ted Bundy murders and the Fyre Festival or when expressing her sheer appreciation for the legacy of Joan Rivers, and her writing is fluid and multifaceted. Though she often rages at social injustice, she also becomes solemnly poetic when discussing her fondness for the drizzly Pacific Northwest, where she was raised and still resides, a place where she can still feel her deceased father’s presence “in the ridges and grooves of my city—we are close, superimposed, separated only by time, and what’s that? This is the only religion I can relate to.” Only occasionally are the smoothly written essays hijacked by intrusive asides—e.g., her experience inside a proselytizing Uber driver’s car, a scene wedged into her reflections on climate change. Though uneven at times, the author drives home the critical issues of our time while taking time to tickle our funny bones.

Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living.

Pub Date: Nov. 5, 2019

ISBN: 978-0-316-44988-5

Page Count: 272

Publisher: Hachette

Review Posted Online: Sept. 10, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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THE POWER NOTEBOOKS

An intriguing examination of the complexity of female power in a variety of relationships.

A collection of personal journal entries from the feminist writer that explores power dynamics and “a subject [she] kept coming back to: women strong in public, weak in private.”

Cultural critic and essayist Roiphe (Cultural Reporting and Criticism/New York Univ.; The Violet Hour: Great Writers at the End, 2016, etc.), perhaps best known for the views she expressed on victimization in The Morning After: Sex, Fear, and Feminism (1994), is used to being at the center of controversy. In her latest work, the author uses her personal journals to examine the contradictions that often exist between the public and private lives of women, including her own. At first, the fragmented notebook entries seem overly scattered, but they soon evolve into a cohesive analysis of the complex power dynamics facing women on a daily basis. As Roiphe shares details from her own life, she weaves in quotes from the writings of other seemingly powerful female writers who had similar experiences, including Sylvia Plath, Simone de Beauvoir, Virginia Woolf, and Hillary Clinton. In one entry, Roiphe theorizes that her early published writings were an attempt to “control and tame the narrative,” further explaining that she has “so long and so passionately resisted the victim role” because she does not view herself as “purely a victim” and not “purely powerless.” However, she adds, that does not mean she “was not facing a man who was twisting or distorting his power; it does not mean that the wrongness, the overwhelmed feeling was not there.” Throughout the book, the author probes the question of why women so often subjugate their power in their private lives, but she never quite finds a satisfying answer. The final entry, however, answers the question of why she chose to share these personal journal entries with the public: “To be so exposed feels dangerous, but having done it, I also feel free.”

An intriguing examination of the complexity of female power in a variety of relationships.

Pub Date: March 3, 2020

ISBN: 978-1-9821-2801-2

Page Count: 256

Publisher: Free Press

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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