by Julian Sancton ‧ RELEASE DATE: Jan. 27, 2026
A rousing historical treasure hunt.
Fireworks and treasure off the Spanish Main.
Journalist and historian Sancton, author of Madhouse at the End of the Earth, emphasizes the story of Roger Dooley, a self-described underwater archeologist who found a great sunken treasure ship. Sancton sets the scene in 1708 in the Caribbean, where a Spanish treasure fleet met a hostile British squadron. In the battle that followed, the galleon San José sank somewhere in waters off Colombia. Early chapters describe undersea treasure hunting, a wild-west get-rich-quick occupation dominated by larger-than-life characters who chew through fortunes from naïve investors and rarely hit the jackpot. The treasure hunters employ violent methods, including dynamite that destroys historical artifacts and gives them a terrible reputation among archeologists. Born in 1944 New Jersey to a Cuban mother who returned to the island with her son, Dooley quickly adapted to his new country. Fascinated by diving and the newly invented Aqua-Lung and mostly self-educated, he turned himself into a skilled underwater archeologist. He was intrigued by the San José, thought to contain unimaginable wealth. Commercial treasure hunters had found a wreck that they claimed was the San José but produced no convincing evidence. Immersed in Spanish archives, Dooley discovered documents and maps that revealed the treasure fleet’s route more accurately. Organizing his own investors, he contracted with Colombia’s government and in 2015 found a wreck 2,000 feet deep and extracted artifacts that proved it was the San José. A national celebration followed discovery of this icon of Colombian history, during which Dooley’s name was not mentioned. It is likewise rarely mentioned in the avalanche of lawsuits that continue to clog the courts from Spain (the ship’s original owner), Peru (whose mines produced the treasure), Indigenous groups (whose enslaved people extracted it), and former treasure hunters (whose contracts are supposedly still in force). Now in his 80s, Dooley remains a peripheral figure in stalled efforts to raise or simply celebrate this precious relic.
A rousing historical treasure hunt.Pub Date: Jan. 27, 2026
ISBN: 9780593594179
Page Count: 384
Publisher: Crown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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New York Times Bestseller
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National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by David Grann
BOOK REVIEW
by David Grann
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by David Grann
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
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A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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