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WOLF RUN

Free-lance spy-turned-photographer Gordon Gallagher (Villiger, Naja) sets his supercharged, all-wheel-drive Audi in pursuit of his fiancÇe's murderers. Gorbachev was unknown and anti-lock braking was not standard equipment when this thriller first appeared in the UK in 1984. Gallagher's passion for his automobile can prove distracting at times—for example, when he gives it the name of his assassinated sweetheart—but it is a very fast and very reliable machine, and the Afro-British Gallagher is otherwise perfectly sound. This adventure finds him on a skiing holiday with ravishing, splendidly rich Lauren Tanner, whom he loves and whom he plans to marry—until on a steep downhill run she falls victim to a sniper's bullet. Someone is wiping out all the survivors of the airplane hijacking that brought Lauren and Gallagher together, and indeed there was a less skillfully aimed bullet meant for Gallagher himself. Controlling his wild grief rather quickly, Gallagher enlists the help of his pretty attending physician to spot the killers and then zooms off in pursuit in his magnificent motorcar. Soon he is running bad guys off the road all the way across Europe. It is not enough that he find out who pulled the triggers; Gallagher wants to know who paid them and why—questions he asks of his old colleagues in the UK. The answers lie in Zaire—where a callous munitions-maker is peddling cruise missiles to the locals and where it would be much too expensive to ship the Audi. Gallagher must make do with rentals. Smooth but undistinguished action-adventure.

Pub Date: July 17, 1991

ISBN: 0-8027-1148-0

Page Count: 288

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1991

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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