An insightful treat for Andrews' fans.
A warm, entertaining memoir covering the actor’s Hollywood years, from Mary Poppins to That's Life!
In this follow-up to Home: A Memoir of My Early Years (2008), the author devotes equal time to home and work in the period from 1963 to 1986. Her home life was anything but serene. During this period, her marriage to production and costume designer Tony Walton broke up—mostly, writes Andrews, because they were never in the same place at the same time. Their daughter, Emma, co-author of this book, split her time between her parents, and Andrews remarried, this time to director Blake Edwards. His children didn't assimilate easily into the new blended family, and he had a number of problems of his own, including hypochondria, an addiction to prescription pills, a hot temper, and a tendency to be drawn toward “lonely, fragile and usually very pretty young women.” The couple went on to adopt two children from Vietnam while Andrews attempted to deal with an alcoholic mother and stepfather. Meanwhile, she was making movies both successful—notably The Sound of Music—and less so, such as her husband's remake of The Man Who Loved Women. While Andrews is too discreet and canny to settle any scores or burn any bridges with her Hollywood colleagues, and she remains guardedly respectful toward most of her co-workers, she knows how to spin a yarn. Even her experience with the notoriously difficult Alfred Hitchcock comes off as remarkably pleasant, as she describes him explaining which camera lenses would make her look best. Andrews does let loose in her memories of a horrific day during the filming of Hawaii, during which director George Roy Hill seemed to be “getting a slight kick” out of repeated takes of her skirt being set on fire. Entries from the author’s journals add a sense of immediacy, and she ends her account on an up note: “I am profoundly blessed.” That may be true, but it’s also hard not to admire the grit that took her through some taxing personal and professional struggles.
An insightful treat for Andrews' fans.Pub Date: Oct. 15, 2019
ISBN: 978-0-316-34925-3
Page Count: 352
Publisher: Hachette
Review Posted Online: Oct. 16, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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