THE IRON QUEEN

From the Iron Fey series , Vol. 3

Though this third volume doesn't bring the Iron Fey series, which began with The Iron King (2010), to a conclusion, faery-human cross Meghan brings part of her arc to a pleasingly unexpected closure. With Ash, boyfriend and coldly beautiful prince of the Winter court, Meghan begins her new exile in the mortal lands. Faery isn't ignoring her, though: With Meghan holding all of the power of the defeated Iron King, it seems like everyone's trying to kill or recruit her. Meghan, unwilling to bring all this faery madness down upon her mortal family, doesn't return home. She does, however, rescue her long-lost adoptive father, who'd been taken by a faery faction in her childhood. The requisite angst provided by the trio of lovers—Ash, Meghan and Meghan's best friend Puck—spices up the battles, magical journey and coming-of-age. Meanwhile, talking cat Grimalkin has his own motivations, setting the scene neatly for volume four. As in the rest of the series, the Iron Fey provide the most originality to this faery adventure and magical romance. Clockworks golems, musket elves and beetle tanks provide a touch of steampunk. Fans of Melissa Marr—and of Kagawa—will enjoy the ride, with Meghan's increased agency and growing power showing the series' maturity. Finally more than just a love triangle. (Urban fantasy. 12-15)

Pub Date: Feb. 1, 2011

ISBN: 978-0-373-21018-3

Page Count: 368

Publisher: Harlequin Teen

Review Posted Online: Jan. 8, 2011

Kirkus Reviews Issue: Jan. 15, 2011

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This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes

LEGEND

From the Legend series , Vol. 1

A gripping thriller in dystopic future Los Angeles.

Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.

This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)

Pub Date: Nov. 29, 2011

ISBN: 978-0-399-25675-2

Page Count: 336

Publisher: Putnam

Review Posted Online: April 8, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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A trilogy opener both rich and strange, if heavy at the front end.

MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN

From the Peculiar Children series , Vol. 1

Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.

The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.

A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)

Pub Date: June 7, 2011

ISBN: 978-1-59474-476-1

Page Count: 234

Publisher: Quirk Books

Review Posted Online: March 31, 2014

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