Though this third volume doesn't bring the Iron Fey series, which began with The Iron King (2010), to a conclusion, faery-human cross Meghan brings part of her arc to a pleasingly unexpected closure. With Ash, boyfriend and coldly beautiful prince of the Winter court, Meghan begins her new exile in the mortal lands. Faery isn't ignoring her, though: With Meghan holding all of the power of the defeated Iron King, it seems like everyone's trying to kill or recruit her. Meghan, unwilling to bring all this faery madness down upon her mortal family, doesn't return home. She does, however, rescue her long-lost adoptive father, who'd been taken by a faery faction in her childhood. The requisite angst provided by the trio of lovers—Ash, Meghan and Meghan's best friend Puck—spices up the battles, magical journey and coming-of-age. Meanwhile, talking cat Grimalkin has his own motivations, setting the scene neatly for volume four. As in the rest of the series, the Iron Fey provide the most originality to this faery adventure and magical romance. Clockworks golems, musket elves and beetle tanks provide a touch of steampunk. Fans of Melissa Marr—and of Kagawa—will enjoy the ride, with Meghan's increased agency and growing power showing the series' maturity. Finally more than just a love triangle. (Urban fantasy. 12-15)
Pub Date: Feb. 1, 2011
ISBN: 978-0-373-21018-3
Page Count: 368
Publisher: Harlequin Teen
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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