A quirky, fast -paced plot, with characters whose pasts seem almost too neatly awful.


A sometimes rough-edged first novel charts the rocky road that three characters, maimed by their pasts, take to confession and understanding.

When Steve Dant, a recovering drug addict now working for a New York literary quarterly, notices Christine Timberlake at the local post office, he soon finds himself drawn to her beauty. Each week when he mails the office correspondence, he observes Christine arriving at the same time to retrieve anxiously from her box a slim envelope. Then there’s Steve. Steve has no friends and has deliberately kept to himself as he fights his demons by jogging regularly, watching videos, and going to museums on weekends, but he can't keep away from Christine. When she drops her keys accidentally, he picks them up, has them copied, and while she’s at work—she tends a local bar—checks out her apartment. Christine, recently divorced from restaurant-owner Parker Horton, is terrified that Parker will find Petra, their mentally ill young daughter whose condition, Christine believes, was caused by incest. When Parker, desperate to see Petra, hires a p.i. to trail Christine, and Steve, now in love with her and eager to help, discovers where Petra is, the action speeds up. As Christine recovers from a brutal robbery and assault, Steve, followed by the detective heads to Cape Cod, where Petra is hospitalized. There, fearful that the p.i. will take Petra back to Parker, he persuades the authorities to release her into his care. Meanwhile, as a terrified Parker and Christine cooperate to recover her daughter, they revisit their unhappy pasts and confess their secret (and, alas, unsurprising) fears. By the close, Steve will also begin to have a better sense of himself and his past.

A quirky, fast -paced plot, with characters whose pasts seem almost too neatly awful.

Pub Date: June 1, 2000

ISBN: 0-9671851-4-9

Page Count: 288

Publisher: GreyCore

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2000

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Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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