Written with the big-picture view of Doctor Zhivago or Winds of War—and likely to be one of the big books of the season.

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THE INVISIBLE BRIDGE

A long, richly detailed debut novel from prizewinning short-story writer Orringer (How to Breathe Underwater, 2003), unfolding from a little-explored area of the Holocaust.

The brothers Andras and Tibor Levi, Hungarian Jews, are models of aspiration. As the narrative opens, Andras is bound for Paris to study architecture, Tibor for Italy to study medicine. The year is 1937, far enough along in the proceedings that neither should be surprised to learn that bad things are about to happen; yet both are so resolutely set on their paths that, it seems, the outside world does not always figure. Andras is helped along by a few fellow Jews at the Parisian academy, as well as a seemingly sympathetic artist who inspires him to contemplate, at 22, converting to “become a Christian, and not just a Christian—a Roman Catholic, the Christians who’d imagined houses of God like Notre-Dame, like the Saint-Chapelle, like the Mátyás Templom or the Basilica of Szent István in Budapest.” This will not be the first time Andras gives free play to lofty-mindedness, but the mood gives way to earthlier concerns when he meets a woman who has an engagingly complex past—and whose story will travel alongside Andras’s through the labor-camp system and, eventually, the Nazi death machine. Tibor’s story is a quieter version of Andras’s; indeed, the reader sometimes wonders whether Orringer has forgotten about him, though only for a time. The author works large themes of family, loyalty and faith across a huge sweep of geography and history. Her settings are the smart avenues of world capitals, snowy dirt tracks on the road to Stalingrad, even the woods of upstate New York. Her story develops without sentimentality or mawkishness, though it is full of grand emotions. Though the events of the time, especially in Hungary, are now the stuff of history books and increasingly fewer firsthand memories, Orringer writes without anachronism, and convincingly.

Written with the big-picture view of Doctor Zhivago or Winds of War—and likely to be one of the big books of the season.

Pub Date: May 21, 2010

ISBN: 978-1-4000-4116-9

Page Count: 624

Publisher: Knopf

Review Posted Online: Dec. 23, 2010

Kirkus Reviews Issue: April 1, 2010

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A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

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HOMEGOING

A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.

Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.

A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

Pub Date: June 7, 2016

ISBN: 978-1-101-94713-5

Page Count: 320

Publisher: Knopf

Review Posted Online: March 2, 2016

Kirkus Reviews Issue: March 15, 2016

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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