Written with the big-picture view of Doctor Zhivago or Winds of War—and likely to be one of the big books of the season.

THE INVISIBLE BRIDGE

A long, richly detailed debut novel from prizewinning short-story writer Orringer (How to Breathe Underwater, 2003), unfolding from a little-explored area of the Holocaust.

The brothers Andras and Tibor Levi, Hungarian Jews, are models of aspiration. As the narrative opens, Andras is bound for Paris to study architecture, Tibor for Italy to study medicine. The year is 1937, far enough along in the proceedings that neither should be surprised to learn that bad things are about to happen; yet both are so resolutely set on their paths that, it seems, the outside world does not always figure. Andras is helped along by a few fellow Jews at the Parisian academy, as well as a seemingly sympathetic artist who inspires him to contemplate, at 22, converting to “become a Christian, and not just a Christian—a Roman Catholic, the Christians who’d imagined houses of God like Notre-Dame, like the Saint-Chapelle, like the Mátyás Templom or the Basilica of Szent István in Budapest.” This will not be the first time Andras gives free play to lofty-mindedness, but the mood gives way to earthlier concerns when he meets a woman who has an engagingly complex past—and whose story will travel alongside Andras’s through the labor-camp system and, eventually, the Nazi death machine. Tibor’s story is a quieter version of Andras’s; indeed, the reader sometimes wonders whether Orringer has forgotten about him, though only for a time. The author works large themes of family, loyalty and faith across a huge sweep of geography and history. Her settings are the smart avenues of world capitals, snowy dirt tracks on the road to Stalingrad, even the woods of upstate New York. Her story develops without sentimentality or mawkishness, though it is full of grand emotions. Though the events of the time, especially in Hungary, are now the stuff of history books and increasingly fewer firsthand memories, Orringer writes without anachronism, and convincingly.

Written with the big-picture view of Doctor Zhivago or Winds of War—and likely to be one of the big books of the season.

Pub Date: May 21, 2010

ISBN: 978-1-4000-4116-9

Page Count: 624

Publisher: Knopf

Review Posted Online: Dec. 23, 2010

Kirkus Reviews Issue: April 1, 2010

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Romance and melodrama mix uneasily with mass murder.

THE WINTER GUEST

An 18-year-old Polish girl falls in love, swoons over a first kiss, dreams of marriage—and, oh yes, we are in the middle of the Holocaust.

Jenoff (The Ambassador’s Daughter, 2013, etc.) weaves a tale of fevered teenage love in a time of horrors in the early 1940s, as the Nazis invade Poland and herd Jews into ghettos and concentration camps. A prologue set in 2013, narrated by a resident of the Westchester Senior Center, provides an intriguing setup. A woman and a policeman visit the resident and ask if she came from a small Polish village. Their purpose is unclear until they mention bones recently found there: “And we think you might know something about them.” The book proceeds in the third person, told from the points of view mostly of teenage Helena, who comes upon an injured young Jewish-American soldier, and sometimes of her twin, Ruth, who is not as adventurous as Helena but is very competitive with her. Their father is dead, their mother is dying in a hospital, and they are raising their three younger siblings amid danger and hardship. The romance between Helena and Sam, the soldier, is often conveyed in overheated language that doesn’t sit well with the era’s tragic events: “There had been an intensity to his embrace that said he was barely able to contain himself, that he also wanted more.” Jenoff, clearly on the side of tolerance, slips in a simplified historical framework for the uninformed. But she also feeds stereotypes, having Helena note that Sam has “a slight arch to his nose” and a dark complexion that “would make him suspect as a Jew immediately.” Clichés also pop up during the increasingly complex plot: “But even if they stood in place, the world around them would not.”

Romance and melodrama mix uneasily with mass murder.

Pub Date: Aug. 26, 2014

ISBN: 978-0-7783-1596-4

Page Count: 352

Publisher: Harlequin MIRA

Review Posted Online: July 1, 2014

Kirkus Reviews Issue: July 15, 2014

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