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JULIE & JULIA

365 DAYS, 524 RECIPES, 1 TINY APARTMENT: HOW ONE GIRL RISKED HER MARRIAGE, HER JOB, AND HER SANITY TO MASTER THE ART OF LIVING

Indulge in this memoir of marrow and butter, knowing there is always a bitter green to balance the taste.

A gratifying year spent tackling the art of French cooking.

On the eve of her 30th birthday, Powell realized that she hated her life: She worked at a job with a bunch of Republicans she (mostly) loathed and she was nearing the moment when she would have to make the jump to have a baby. Her life was not on the trajectory she imagined, and she was growing increasingly depressed. In a moment of desperation, she decided to take on a project that might help distract her—and what an undertaking it was. Powell would prepare all 524 recipes in Julia Child’s Mastering the Art of French Cooking. Over the course of the next year, this project served as her lifeline. For each elaborate (or elaborately named) dish that she created—dishes like tournedos sautés aux champignons and quartiers de fonds d’artichauts au beurre—there were family and friends (and one very patient husband, Eric) to share them with. At the Eric’s suggestion, Powell started a blog to chronicle her successes and disasters, her triumphs and crises (there were many, in each category). Eventually, the media was drawn to her quest, but celebrity was not what Powell was after (unless it got her out of a lousy job). For all her fussing and neuroses, Powell is a softy a heart, appreciating Child because, she says, Child “wants you to remember that you are human, and as such are entitled to that most basic of human rights, the right to eat well and enjoy life.” Powell clearly enjoyed hers, with all its madness and pleasures.

Indulge in this memoir of marrow and butter, knowing there is always a bitter green to balance the taste.

Pub Date: Sept. 28, 2005

ISBN: 0-316-10969-X

Page Count: 320

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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