Indulge in this memoir of marrow and butter, knowing there is always a bitter green to balance the taste.

JULIE & JULIA

365 DAYS, 524 RECIPES, 1 TINY APARTMENT: HOW ONE GIRL RISKED HER MARRIAGE, HER JOB, AND HER SANITY TO MASTER THE ART OF LIVING

A gratifying year spent tackling the art of French cooking.

On the eve of her 30th birthday, Powell realized that she hated her life: She worked at a job with a bunch of Republicans she (mostly) loathed and she was nearing the moment when she would have to make the jump to have a baby. Her life was not on the trajectory she imagined, and she was growing increasingly depressed. In a moment of desperation, she decided to take on a project that might help distract her—and what an undertaking it was. Powell would prepare all 524 recipes in Julia Child’s Mastering the Art of French Cooking. Over the course of the next year, this project served as her lifeline. For each elaborate (or elaborately named) dish that she created—dishes like tournedos sautés aux champignons and quartiers de fonds d’artichauts au beurre—there were family and friends (and one very patient husband, Eric) to share them with. At the Eric’s suggestion, Powell started a blog to chronicle her successes and disasters, her triumphs and crises (there were many, in each category). Eventually, the media was drawn to her quest, but celebrity was not what Powell was after (unless it got her out of a lousy job). For all her fussing and neuroses, Powell is a softy a heart, appreciating Child because, she says, Child “wants you to remember that you are human, and as such are entitled to that most basic of human rights, the right to eat well and enjoy life.” Powell clearly enjoyed hers, with all its madness and pleasures.

Indulge in this memoir of marrow and butter, knowing there is always a bitter green to balance the taste.

Pub Date: Sept. 28, 2005

ISBN: 0-316-10969-X

Page Count: 320

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2005

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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