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THE FATAL LOVER

MATA HARI AND THE MYTH OF WOMEN IN ESPIONAGE

While ``Mata Hari'' remains synonymous with the femme fatale trading her body for secrets, this readable biography of the original—the Dutch-born exotic dancer executed by the French in 1917 for espionage—argues that she was framed and challenges the whole notion of women agents as sex workers. Margaretha Zelle MacLeod—daughter of a bankrupt Dutch hat- seller and divorced from an abusive Army captain whose posts took the couple to Java and Sumatra—reinvented herself in Paris in 1904. As Hindu temple-dancer ``Mata Hari,'' she was a sensation, performing almost nude, while the religious origins and authenticity of her ``rites'' were little questioned. With her exotic Orientalist persona, her free spending, her penchant for older men in uniform (and her reliance on their monetary gifts), Mata Hari fit the model of celebrated fin-de-siäcle courtesan—but after the outbreak of WW I, these same attributes made her suspect. Despite months of surveillance, though, French investigators turned up no evidence that Mata Hari had betrayed French interests to Germany. The investigators did malign her for lying about her past, however, and—as though they contradictorily believed her fabrications—on racial grounds. Meanwhile, according to British author Wheelwright, apparently Mata Hari's only foray into espionage was on behalf of France, after her future interrogator insincerely recruited her. Wheelwright contends that the wartime culture saw all women (unless clearly passive, chaste, and self- sacrificing) as treacherous; the ``international woman'' became a symbol of national betrayal. Indeed, court records (sealed for decades) indicate a trumped-up case—a previously reported conclusion that remains overshadowed by legend. Stronger as biography than as feminist cultural history—and it's too bad that this book (published in England in 1992) wasn't updated to include Britain's new female Secret Service chief at work—at her desk. (Sixteen b&w illustrations)

Pub Date: Nov. 1, 1993

ISBN: 1-85585-105-9

Page Count: 192

Publisher: Collins & Brown/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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