A woman’s quest to discover the origin of a haunting heirloom leads her to a foreign country and family secrets in this novel from Blackwell (The Paris Key, 2015).
When Claire Broussard’s beloved grandmother, whom she calls Mammaw, gets sick, she abandons her career and boyfriend in Chicago and heads home to Louisiana. Back in Louisiana, Claire was known as Chance, but since then she’s taken every opportunity to distance herself from her old name, her long-gone mother, and her alcoholic father. Her roots have a stronger hold on her than she thought, though. When Claire finds a broken-but-beautiful mask that she remembers from her childhood, Mammaw tells her that it’s from Paris and instructs Claire to travel there to find out its story. After Mammaw’s death, Claire leaves for Paris with little more than her curiosity. When Claire finds the shop that made the mask, known as L’Inconnue de la Seine (The Unknown Woman of the Seine), she thinks she’s simply hit a dead end. But as Claire falls into a job at the shop, she begins to find out more about the history of the mask. She’s also drawn into the mysterious past of the grumpy-yet-intriguing mold-maker, Armand. Claire’s story is intertwined with the tale of Sabine, a young model in Paris in the 1890s. As Claire’s and Sabine’s stories progress, the reader learns how their lives are connected in deep and unexpected ways. Blackwell paints a picture of Paris that is both artistically romantic and realistically harsh. Although the story is slow-paced at times, the alternating points of view keep the reader’s interest.
A compelling story of Paris, art, and love throughout history.Pub Date: Sept. 6, 2016
ISBN: 978-0-451-47370-7
Page Count: 384
Publisher: Berkley
Review Posted Online: June 15, 2016
Kirkus Reviews Issue: July 1, 2016
Categories: FAMILY LIFE & FRIENDSHIP
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BOOK REVIEW
Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.
Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.Pub Date: July 17, 2018
ISBN: 978-1-5011-7159-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 1, 2018
Kirkus Reviews Issue: May 15, 2018
Categories: FAMILY LIFE & FRIENDSHIP
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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 7, 2014
Categories: ROMANCE | CONTEMPORARY ROMANCE | FAMILY LIFE & FRIENDSHIP
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