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SAM AND THE TIGERS

As usual, Lester's prose is fine and funny read-aloud, but the creative interplay of text and pictures doesn't reach the...

A sassy retelling of Little Black Sambo, set in the imaginary land of Sam-sam-sa-mara, where animals are people, too, and all the humans are named Sam.

When young Sam and his parents, Sam and Sam, go into town to buy school clothes, he chooses the brightest colors he can find. No sooner does he set off down the road than he begins to lose his finery to a succession of tigers—by the last, instead of "I'm going to eat you up," the tigerly greeting is, "You know the routine." The proud tigers meet up, squabble until they melt down, and end up as pancakes on the Sams' table. Pinkney gives the tale a verdant setting in which even trees have faces and almost every creature, from elephants to insects, is clothed in turn-of-the-century garb. Also, unlike Fred Marcellino, whose paintings for a deftly edited reissue of the tale (The Story of Little Babaji, p. 1044) follow the original's more closely, Pinkney chooses not to show the tigers strutting their stuff; the net result is to rob the story of much of its broad irony.

As usual, Lester's prose is fine and funny read-aloud, but the creative interplay of text and pictures doesn't reach the heights of this team's John Henry (1994). (Picture book. 6-8)

Pub Date: Sept. 1, 1996

ISBN: 0-8037-2028-9

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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