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COWS IN THE KITCHEN

Livestock’s great out on the range, but when there are cows in the kitchen, sheep on the sofa, and hens on the hatstand, Crebbin warns, look out. Crebbin (The Train Ride, 1995, etc.) builds on a song she overheard preschoolers singing; as Tom Farmer dozes in the haystack the animals run wild through the house. Ducks in the dishes result in a lot of quacking up in the cupboards, while sheep somersault over the back of the sofa. Starring are repetition, animals sounds, and a sleeping adult, who awakens to see a slice of cake run by impaled on a steer’s horn, while donuts, dishes, and ducks go flying; the entire text, providentially, can be sung to the tune of “Skip to My Lou.” Zany animal antics fill McEwan’s illustrations to bursting; the twist is that the next time Tom Farmer falls asleep the animals tiptoe up to him before they raise a ruckus all over again. (Picture book. 2-5)

Pub Date: Aug. 1, 1998

ISBN: 0-7636-0645-6

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1998

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FIVE BLACK CATS

For toddlers unafraid of typical Halloween imagery.

A troop of cats traverse a spooky landscape as they make their way to a party hosted by ghosts.

Each double-page spread shows the felines’ encounters with the likes of an owl, jack-o’-lanterns or a bat. One or two of these creepy meetings may be too abstract for the youngest readers, as the cats hear eerie noises with no discernible source on the page. The text, which consists of one rhyming couplet per scene, mostly scans despite a couple of wobbles: “Five black cats get a bit of a scare / As the flip-flapping wings of a bat fill the air.” The sleek, slightly retro art, likely created using a computer, depicts the cats cavorting at night through a shadowy cityscape, the countryside and a haunted house; they may scare some toddlers and delight others. A brighter color palette would have given the project a friendlier, more universal appeal. Luckily, the well-lit, final party scene provides a playful conclusion.

For toddlers unafraid of typical Halloween imagery. (Board book. 2-4)

Pub Date: Sept. 1, 2013

ISBN: 978-1-58925-611-8

Page Count: 22

Publisher: Tiger Tales

Review Posted Online: Sept. 24, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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LOVEBLOCK

From the Block Books series

Fun format; bland text.

A hefty board book filled with ruminations on the nature of love.

While love is the topic of this board book, it’s the inventive gatefolds and charmingly vintage illustrations that readers will fall for. Brimming with sweeping declarations along the lines of “Love is / strong. // You have my back and I’ll always have yours,” the text sounds like a series of greeting cards strung together. It’s benign enough, but are most toddlers interested in generic proclamations about love? Some statements, like the ones on “unsinkable” hippos or a panda parent holding a cub “steady,” could introduce new vocabulary. At least there’s plenty of winsome critters to fawn over as the surprisingly sturdy flaps tell dramatic little ministories for each cartoon-style animal species. A downcast baby giraffe looks longingly up at a too-high tasty branch; lift a flap to bring an adult giraffe—and the delicacy—down to the baby, or watch an adventurous young fox retreat into a fold-down–flap burrow to learn that “my heart will always be home with you.” At points, the pages are tricky to turn in the correct order, but clever touches, like a series of folds that slow readers down to a sloth’s speed, make up for it. The book concludes with a gatefold revealing a vibrant playground populated with racially and ethnically diverse humans; two are wheelchair users.

Fun format; bland text. (Board book. 2-4)

Pub Date: Dec. 1, 2020

ISBN: 978-1-4197-3153-2

Page Count: 84

Publisher: Abrams Appleseed

Review Posted Online: Dec. 24, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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