Though leavened by salty wit, this frank portrait of lacerating personal circumstances will make some readers marvel that...

BURDEN OF ASHES

Poet and performance artist Chin (Mongrel, not reviewed) chronicles a still-youthful existence lived—at least on the page—as if his hair were on fire.

Knit together here in roughly chronological disorder are a flurry of episodes from Chin's life. Though clearly intended to show off his crackling writing style, they are also highly illustrative of his human dilemmas: sorely felt and often enough laugh-aloud funny. The author’s upbringing in Malaysia and education in Singapore, standard fare for the place and time, seem pretty awful from an American perspective. He is badgered and caned, forced by a cruel aunt to eat his vomit, virtually abandoned at a school 200 miles away—then the relatives gather to applaud each others’ child-rearing skills. Chin doesn't flaunt this material, but he does let it drop and sometimes bounce: “We were living in a post-macramé age, and decoupage was the in-thing.” His fears, wounds, and punishing sense of worthlessness (“I pretended to be a snail”) come at the reader like rough surf; but what buoys is Chin's comic timing. The horrors of a family vacation are balanced by its absurdity; religious guilt and terror are kept at bay with a farcical exorcism; even his homosexuality is discussed with captivatingly fresh wit. Aware of his orientation at a fairly young age, when “the better part of the year was spent making deals with God,” the author can talk of a lover with disarming discretion (“Let's just say that my Horehound takes me to a place so incredibly wild and pretty”), then go low-burlesque and physically blunt: “Deformed nipples scare the shit out of me. . . . Penises are a different matter though. I quite enjoy deformed penises.”

Though leavened by salty wit, this frank portrait of lacerating personal circumstances will make some readers marvel that the species survives at all.

Pub Date: May 1, 2001

ISBN: 1-55583-642-9

Page Count: 240

Publisher: Alyson

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2002

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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