Two years after the death of his mentor, Graybeard, the lame Cro-Magnon artist Tao, first met in Boy of the Painted Cave (1988), returns to the Land of the Mountain People and finds them under the thumb of a new shaman, a screaming, crazed ``Neander'' named Zugar. Zugar has imprisoned three malnourished orphans and a blind girl, Deha, in a cave, calling them possessed by demons; scandalized, Tao springs Deha and they set out downriver for the ocean, in hopes of gathering kelp and abalone to improve the orphans' diet. Tao's world teems with wildlife, and the author makes sure his protagonist encounters all of it, from bears, birds, and Sandar, a huge cave lion, to the giant sea turtles that pull Tao's raft back to shore when he's washed out to sea. As in his other prehistoric adventures, Denzel develops the setting more fully than the predictable plot or the characters, all of whom are consigned limited, well-defined roles and speak in board-stiff utterances- -``Maybe you come to hunt our ibex or mouflon, eh?'' Readers are less likely to remember the perfunctory storyline than the intense satisfaction Tao gets from his art (using natural dyes and sketches carved into small stones, he takes every opportunity to depict his world on cave walls), and the author's picture of the natural world so long ago. (Fiction. 10-12)
Pub Date: Oct. 6, 1997
ISBN: 0-399-23117-X
Page Count: 200
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
BOOK REVIEW
BOOK REVIEW
A quick, agreeable caper, this may spark some discussion even as it entertains.
Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.
As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.
A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)Pub Date: May 30, 2017
ISBN: 978-1-4197-2296-7
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Curtis debuts with a ten-year-old's lively account of his teenaged brother's ups and downs. Ken tries to make brother Byron out to be a real juvenile delinquent, but he comes across as more of a comic figure: getting stuck to the car when he kisses his image in a frozen side mirror, terrorized by his mother when she catches him playing with matches in the bathroom, earning a shaved head by coming home with a conk. In between, he defends Ken from a bully and buries a bird he kills by accident. Nonetheless, his parents decide that only a long stay with tough Grandma Sands will turn him around, so they all motor from Michigan to Alabama, arriving in time to witness the infamous September bombing of a Sunday school. Ken is funny and intelligent, but he gives readers a clearer sense of Byron's character than his own and seems strangely unaffected by his isolation and harassment (for his odd look—he has a lazy eye—and high reading level) at school. Curtis tries to shoehorn in more characters and subplots than the story will comfortably bear—as do many first novelists—but he creates a well-knit family and a narrator with a distinct, believable voice. (Fiction. 10-12)
Pub Date: Oct. 1, 1995
ISBN: 0-385-32175-9
Page Count: 210
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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