by Justin Marozzi ‧ RELEASE DATE: Jan. 1, 2009
“History rumbles on like an insatiable omnivore, devouring everything before it,” writes Marozzi. It’s a good thumbnail...
A digressive, witty blend of travel writing and popular history.
When your subject is a classical author and his account of a war that ended some 2,500 years ago, it takes a good deal of enthusiasm and a keen sense of storytelling to keep a reader interested as you follow in his footsteps. Recounting his passionate pursuit of Herodotus and the modern vestiges of ancient Greco-Persian geography, journalist Marozzi (Tamerlane, 2007, etc.) does not shy away from bold statements or prurient details. He casts Herodotus as the world’s first historian, first foreign correspondent, first anthropologist, first travel writer and first investigative journalist, as well as the man who “invented the West.” Traveling along the great historian’s route, Marozzi encountered evidence of a good deal of fellatio, sodomy, sacred prostitution, necrophilia, bestiality and phallic worship—most of it, thankfully, at a historical distance. The sex is rarely very sexy, however, and Marozzi’s deft handling of history’s strange congruities and incongruities is far more interesting. In Turkey, he tracked Herodotus to his hometown in Halicarnassus (now Bodrum); he describes the excavation of the town’s Mausoleum (one of the seven wonders of the classical world) and the archaeological exploration of an ancient shipwreck that contained the world’s oldest book. In 2004, he made a harrowing entry into Baghdad and a visit to the ancient site of Babylon, now “Camp Babylon” and under military control. Moving on to Egypt, Marozzi evokes Cairo in a lush, epic catalogue that is characteristic of his sly engagement with the kind of historical reporting Herodotus invented. In Greece, Marozzi’s attention flitted from the wine of Samos to an enviable lunchtime sojourn at the table of one of the last century’s great travel writers, Patrick Leigh Fermor.
“History rumbles on like an insatiable omnivore, devouring everything before it,” writes Marozzi. It’s a good thumbnail description of the approach that gives his clever, occasionally oversexed travel narrative much of its charm.Pub Date: Jan. 1, 2009
ISBN: 978-0-306-81621-5
Page Count: 352
Publisher: Da Capo Lifelong
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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