by Justin Tussing ‧ RELEASE DATE: April 12, 2016
An offbeat novel that’s savvy about both music and emotional insecurity.
Two lovelorn men use an aging rock star’s endless tour as an opportunity to come to terms with domesticity.
Tussing’s second novel (The Best People in the World, 2006) alternates perspectives between Peter, a doctor who’s recently split from his ex girlfriend, and Arthur, who for decades has obsessively followed the life of Jimmy Cross, a Dylan-esque/Springsteen-ish singer whose abstract lyrics are much parsed for hidden messages and profundities. (One of Tussing’s gifts is imagining Boss-like lyrics, from the novel’s title on.) Peter is invited to leave his hospital gig in upstate New York and embed with the tour after the singer has vague complaints about mental fuzziness. (Jimmy was a friend of Peter’s mother, and the novel teases at just how intimate the friendship was.) Meanwhile, news of a doctor on tour prompts Arthur to worry about his idol’s health. Though there are scenes of Peter tagging along on private planes and hanging out with the seen-it-all road crew, Tussing is less interested in writing a rock novel than a road novel—that is, a story about how the highway is a path to finding your home. Tussing plays up this story as comedy in Arthur’s scenes, making him an emotionally adolescent fanboy who abandoned his wife and daughter, until a chance meeting with a woman who might bring his life back into plumb. For Peter, the stakes are more serious: as he spends time medically and emotionally babysitting Jim’s ne’er-do-well son and Jim’s health becomes a concern, he begins thinking of making his own changes. Which is to say that plotwise, it’s a standard-issue midlife-crisis novel with the volume cranked up. But Tussing delivers it with wit and speed, and he recognizes that what’s most interesting about stardom is what takes place offstage.An offbeat novel that’s savvy about both music and emotional insecurity.
Pub Date: April 12, 2016
Page Count: 288
Review Posted Online: Jan. 17, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
Awards & Accolades
New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.A tour de force.
Pub Date: Feb. 6, 2018
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Pub Date: April 24, 2018
Page Count: 368
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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