Weighty topics are seamlessly woven into this fast, captivating read.
Ironmonger (The Notable Brain of Maximilian Ponder, 2012, etc.) spins another nimble tale set on two continents, this one exploring the impact of coincidence by following a woman whose life is saturated by it and a man who studies it for a living.
The book begins with the case of Azalea Ives, found at a county fair in England, wandering alone, at age 3. The trajectory of Azalea’s life turns out to be one of strange events and coincidences that begin before her birth, extend into her 30s and, she fears, may bring her life to an early end. One frame of the novel describes her ancestry on the Isle of Man, while another digs into her early years as the adopted daughter of missionaries in Uganda. A third follows the relationship that develops when she seeks the counsel of Thomas Post, a young London professor specializing in the mathematics and philosophy of coincidence, and the most current frame watches Thomas as he tries to make sense of Azalea’s life with his friend and adviser in the academic community. The Isle of Man story is as wistful and charming as its setting suggests, while the sections involving Thomas Post are largely an enjoyable audit of coincidence science. But the Uganda scenes, as hinted at by the map at the beginning of the book, are the heartbeat of the novel—vivid and suspenseful even before the arrival of Joseph Kony. This is by no means a traditional thriller, but Ironmonger whips readers between frames in whirlwind fashion and is a judicious withholder of information, so the suspense stays taught throughout, and the game of connect-the-dots is always afoot. The two protagonists could be more fleshed out; Azalea herself has a touch of Manic Pixie Dream Girl about her, and Thomas is every inch the bumbling academic. Additionally, the narration can be heavy-handed at times, but this tale is not a character study—it’s a feat of cleverness.
Weighty topics are seamlessly woven into this fast, captivating read.Pub Date: Feb. 18, 2014
ISBN: 978-0-06-230989-1
Page Count: 256
Publisher: Perennial/HarperCollins
Review Posted Online: Jan. 22, 2014
Kirkus Reviews Issue: Feb. 1, 2014
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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