Striking prose and characters make this opening fantasy installment worthwhile.

JACK OF THORNS

From the Inheritance series , Vol. 1

In Faulkner’s series-launching urban fantasy debut, two men with untapped superpowers face off against a god with sinister intentions.

Bambi Laurence Riley, who goes by his middle name, can see the future. The first sign of his ability came three years ago during a heroin overdose. He saw snippets of upcoming events, including his father’s death and his own failed stints in rehab. Today, Laurence lives above a San Diego flower shop that his mother, Myriam, runs. He’s inherited her apparent powers of precognition as well as a supernatural ability to grow and heal plants. But although she’s mastered the former gift, Laurence only sees random glimpses of things to come. One involves a handsome man, whom Laurence soon encounters in real life. He’s Quentin Ichabod d’Arcy, a British earl who’s currently in the United States to evade his fame in London. The two have a mutual attraction—which Laurence’s stalker ex-boyfriend, Dan, unfortunately notices immediately. Laurence’s problems get worse when he forgoes his usual prayer for a blessing from the fertility god Cernunnos, and simply asks the Celtic deity for direct help and guidance in his life. Cernunnos responds by manifesting as an emerald-eyed human who insists that Laurence call him Jack. The newcomer’s persistent demands for sexual sustenance lead to him to force a kiss on Quentin, and the latter defends himself with apparent telekinesis. Quentin, like Laurence, can’t control his gift, but both try to hone their skills to combat Jack, who’s cooking up a scheme that could prove devastating. Faulkner’s first series installment offers a commendable introduction to his characters. Laurence and Quentin are flawed but enthralling; the story alternates between the two characters’ points of view, but readers learn a little more about Laurence. His fight against addiction is realistically constant, and triggers such as alcohol sometimes cause stumbles. But his respect for his mother makes him sympathetic from the beginning. Myriam earns this respect as the novel’s best character—a woman who knows the future but wisely doesn’t reveal too much of it to her son. Readers may take longer to warm up to Quentin; he’s initially pretentious, with a palpable animosity toward American customs and vernacular. His background remains somewhat mysterious, but Faulkner makes clear that Quentin has never lived anywhere without a butler before. Stretches of the story concentrate on the two men and their prospective lovers, and they offer sound character development but minimal romance; Laurence’s attraction to the virginal Quentin doesn’t seem to be much more than physical. Along the way, Faulkner’s lustrous passages turn basic scenery into beautiful imagery: “The branches waved lazily in a light breeze and, in parting, revealed a hanging rope, from which was suspended what appeared to be a vast tire from some industrial vehicle.” The story also generates a fair amount of suspense after Jack’s nefarious plan begins to unfold and lives are threatened, and the ending aptly sets up a second book.

Striking prose and characters make this opening fantasy installment worthwhile.

Pub Date: Sept. 3, 2019

ISBN: 978-1-912349-11-1

Page Count: 390

Publisher: Ravensword Press

Review Posted Online: July 17, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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