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KNIGHT OF FLAMES

From the Inheritance series , Vol. 2

An energetic urban-fantasy sequel that skillfully expands the saga’s worldbuilding and cast.

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Two lovers with supernatural powers meet others with similar abilities in this sequel. 

British Earl Quentin d’Arcy, who’s convinced his father killed his mother six years ago, fled his home country. The 25-year-old has kept a low profile in San Diego, California, which has recently proved rewarding. He’s now dating and in love with Laurence Riley, who lives and works at a flower shop with his mother, Myriam. Laurence, the more sexually experienced of the two, is taking things slowly. Physical intensity tends to spike Quentin’s anxiety, which causes him to lose control of his telekinesis and potentially put Laurence in danger. Laurence has talents as well, including precognition, but Quentin soon realizes they aren’t the only people with superpowers. He catches the attention of Kane Wilson, who wants to know why his mind control doesn’t work on Quentin. Wilson has been “liberating” teens with special abilities and helping them learn to control them. Quentin’s association with Wilson’s group leads to his discovery of another power: creating fire. This unfortunately ties to Laurence’s cryptic vision of the future—Quentin in his arms and both men seemingly on the verge of a fiery demise. Laurence and Quentin begin to suspect Wilson isn’t so much charitably aiding youngsters as he is amassing a team of superpowered fighters. Quentin then takes a risk by accepting Wilson’s offer to join them, with the hope of staying close and uncovering what the man is truly planning. In Book 2 of this lively urban-fantasy series, Faulkner (Jack of Thorns, 2019) immediately depicts Laurence and Quentin basking in an already established romance. This sets a consistent pace from the beginning, which the author maintains by providing expository bits to catch up new readers. The couple’s relationship shows signs of evolving, as they continue to learn about each other’s families and personal histories and occasionally suffer pangs of jealousy. Though their intimate scenes of exclusively kissing may seem straight out of a YA novel, they progressively turn steamier: Quentin “pressed himself against Laurence’s body, stifling his panic against the other man’s flesh, biting down on his shoulder to keep himself from tipping over the edge.” These scenes deftly showcase two men who are savoring their romance. But Myriam, who shined brightly in the series opener, has disappointingly few appearances. Picking up the slack is Quentin’s twin, Freddy, who manages to find his brother in San Diego. Freddy is both smart and helpful as well as a standout character thanks to his affectionate nickname for Quentin: Icky (an abbreviation of his middle name, Ichabod). The supernatural element, as in the preceding book, never completely monopolizes the narrative. Nevertheless, there are plenty of new, intriguing characters in Wilson’s group, who sport varying powers, from electrokinesis to an uncanny stealth capability. Laurence and Quentin, meanwhile, hone their formidable skills, including the former’s attempt to induce a vision that reveals a past, rather than a future, event. The effective final act boasts action, characters in peril, and a denouement that, not surprisingly, teases the next volume.

An energetic urban-fantasy sequel that skillfully expands the saga’s worldbuilding and cast.

Pub Date: Sept. 17, 2019

ISBN: 978-1-912349-12-8

Page Count: 388

Publisher: Ravenswood Publishing

Review Posted Online: Nov. 14, 2019

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THE LOST WORLD

Back to a Jurassic Park sideshow for another immensely entertaining adventure, this fashioned from the loose ends of Crichton's 1990 bestseller. Six years after the lethal rampage that closed the primordial zoo offshore Costa Rica, there are reports of strange beasts in widely separated Central American venues. Intrigued by the rumors, Richard Levine, a brilliant but arrogant paleontologist, goes in search of what he hopes will prove a lost world. Aided by state-of- the-art equipment, Levine finds a likely Costa Rican outpostbut quickly comes to grief, having disregarded the warnings of mathematician Ian Malcolm (the sequel's only holdover character). Malcolm and engineer Doc Thorne organize a rescue mission whose ranks include mechanical whiz Eddie Carr and Sarah Harding, a biologist doing fieldwork with predatory mammals in East Africa. The party of four is unexpectedly augmented by two children, Kelly Curtis, a 13-year-old "brainer," and Arby Benton, a black computer genius, age 11. Once on the coastal island, the deliverance crew soon links up with an unchastened Levine and locates the hush-hush genetics lab complex used to stock the ill- fated Jurassic Park with triceratops, tyrannosaurs, velociraptors, etc. Meanwhile, a mad amoral scientist and his own group, in pursuit of extinct creatures for biotech experiments, have also landed on the mysterious island. As it turns out, the prehistoric fauna is hostile to outsiders, and so the good guys as well as their malefic counterparts spend considerable time running through the triple-canopy jungle in justifiable terror. The far-from-dumb brutes exact a gruesomely heavy toll before the infinitely resourceful white-hat interlopers make their final breakout. Pell-mell action and hairbreadth escapes, plus periodic commentary on the uses and abuses of science: the admirable Crichton keeps the pot boiling throughout.

Pub Date: Sept. 28, 1995

ISBN: 0-679-41946-2

Page Count: 480

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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SUMMER SECRETS

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends,...

Before sobriety, Catherine "Cat" Coombs had it all: fun friends, an exciting job, and a love affair with alcohol. Until she blacked out one more time and woke up in a stranger’s bed.

By that time, “having it all” had already devolved into hiding the extent of her drinking from everyone she cared about, including herself. Luckily for Cat, the stranger turned out to be Jason Halliwell, a rather delicious television director marking three years, eight months, and 69 days of sobriety. Inspired by Jason—or rather, inspired by the prospect of a romantic relationship with this handsome hunk—Cat joins him at AA meetings and embarks on her own journey toward clarity. But sobriety won’t work until Cat commits to it for herself. Their relationship is tumultuous, as Cat falls off the wagon time and again. Along the way, Cat discovers that the cold man she grew up endlessly failing to please was not her real father, and with his death, her mother’s secret escapes. So she heads for Nantucket, where she meets her drunken dad and two half sisters—one boisterously welcoming and the other sulkily suspicious—and where she commits an unforgivable blunder. Years later, despairing of her persistent relapses, Jason has left Cat, taking their daughter with him. Finally, painfully, Cat gets clean. Green (Saving Grace, 2014, etc.) handles grim issues with a sure hand, balancing light romance with tense family drama. She unflinchingly documents Cat’s humiliations under the influence and then traces her commitment to sobriety. Simultaneously masking the motivations of those surrounding our heroine, Green sets up a surprising karmic lesson.

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends, like addiction, may endanger her future.

Pub Date: June 23, 2015

ISBN: 978-1-250-04734-2

Page Count: 320

Publisher: St. Martin's

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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