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LORD OF RAVENS

From the Inheritance series , Vol. 3

A grand entry in a consistently gripping and remarkable urban fantasy saga.

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Two lovers discover new paranormal gifts and enemies in this third installment of a series.

Things seem to be looking up for Laurence Riley in San Diego, California. The god Herne the Hunter appears before him and tells him that, along with other abilities like precognition, Laurence is capable of magic. Actually learning magic will necessitate seeking out a man named Rufus Grant, whom Laurence first saw in a vision. Meanwhile, Laurence’s romantic relationship with British Earl Quentin d’Arcy has become decidedly more fervent. Unfortunately, the earl has an unwelcome encounter with his own father, the Duke of Oxford, who Quentin is convinced killed his mother. The duke demands his son return home, and Quentin, who has essentially been hiding out in the United States, suspects his father tracked him down via magic. Sadly, the duke’s presence casts a dark cloud over the lives of both lovers. Laurence subsequently has a glimpse of the past involving 5-year-old Quentin suffering his father’s abuse. The vision is so horrifying it nearly sends Laurence back to his heroin habit. Soon, Black Annis, a “blue-tinged” creature, threatens the youngsters with special abilities whom Quentin has befriended and cares for. Alarmingly, the creature vows to eat the children. In order to defeat Black Annis, Laurence will have to acquire a weapon from the Otherworld, a place outside of the mortal realm. But as he can only use the weapon for a specific purpose, Laurence must resist the temptation to slay both the blue-tinged creature and Quentin’s depraved father with it.

Faulkner (Knight of Flames, 2019, etc.) excels at creating individual stories within a cohesive urban fantasy series arc. For example, this book spotlights Quentin’s frayed connection to his father. But earlier installments had teased this with Quentin’s outburst at his mother’s funeral (which Laurence also sees in a vision in this story) and the earl’s scars, courtesy of the duke. As in the preceding novel, the couple’s relationship and shared intimacy show progress, having begun with virginal Quentin’s hesitancy. This time their scenes are unmitigated erotica, as they’re much more explicit than before. The author beefs up the pages with characters from folklore (including Black Annis) while Laurence’s trek through the Otherworld features a few recognizable faces (and objects) from Arthurian legend. Despite the story’s overall grimness, there are occasional lighter touches, like periodic appearances of the couple’s loyal dogs, Pepper and Grace. Similarly, Herne’s gift to Laurence is a raven egg. The resultant “bald little pink baby” raven, named Windsor, is like a child, as Laurence regularly feeds him and sometimes needs others to birdsit. Eventually, the raven, Laurence’s familiar, will be able to relay messages to the god. Readers anticipating the author’s knack for indelible prose won’t be disappointed: Laurence “lowered his hand to the pendant as he spoke the final word, and the universe became a vacuum….His life flashed from heart to fingertips, and he saw whorls of green flow from his fingers and into the pentagram.”

A grand entry in a consistently gripping and remarkable urban fantasy saga.

Pub Date: Oct. 1, 2019

ISBN: 978-1-912349-13-5

Page Count: 380

Publisher: Ravensword Press

Review Posted Online: Jan. 14, 2020

Kirkus Reviews Issue: March 15, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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