Repetitive as Chloe’s romantic experiences are, they still manage to entertain.


Fate leads to love in this realistic novel of a young woman’s adventures dating online.

Twenty-five-year-old Chloe Thompson, a first-grade teacher in Milwaukee, decides to look for love on the Internet. It’s 2003, and her newly engaged co-worker met her fiance online, so how bad can it be? If Chloe’s first date is a litmus test of the online dating pool, the answer is painfully bad. She plans to meet Scott at an Applebee’s, only to have him show up late, order chicken fingers like a child and reveal that the handsome photo of him on his profile was his senior portrait. When her ex-boyfriend Cliff calls her, she can’t resist letting him come over. She continues clicking on men’s profiles, answering icebreakers, calling strangers: There’s a firefighter who wants phone sex, an enthusiastic Packers fan, and a racist student-teacher who says he knew there was something “chinky” about her. Meanwhile, Chloe’s friends and family—from her brisk Taiwanese mother to her upstanding friend Shelly and wild Jess—offer a mix of skepticism and encouragement. Chloe is charmed when she meets Drew, a nerdy guy who sends her photos of himself in the mail to prove that his scanner is truly broken. He cooks her dinner; he’s good at Scrabble; then he reveals that he kind of has a girlfriend. The news confuses Chloe, who is struggling to avoid Cliff’s troubling advances. When Drew meets Chloe’s friends, the mix of alcohol and drama is unfitting, and Chloe’s friends convince her Drew isn’t as normal as he may seem. She’s able to move on, though, via a stream of other guys met online. On a date with Frank, Chloe bumps into her engaged co-worker, who has startling news about her now ex-fiance. Cliff’s behavior continues to frighten Chloe, leading to a final confrontation that makes everything clear for both of them. Just when Chloe thinks she’s had enough of personal ads and screen names, the advice of a psychic leads her to what could be her best match yet. Anyone who’s been on a first date will find something to sympathize with in the litany of Chloe’s experiences, from the funny to the hopeful. It’s the pain of letting go of Cliff, and all that she learns in watching her friends and family go through their own trials, that makes Chloe truly relatable. The book is thankfully not bogged down by pages of pining for the perfect soul mate. It can, however, be a bit dull reading scene after scene of Chloe and her young friends drinking to excess (several chapters open on a hung-over Chloe in her bed). The novel’s dedication page features a photo of the author’s husband—whom she met online, proving to readers that online dating can indeed lead to happily ever after.

Repetitive as Chloe’s romantic experiences are, they still manage to entertain.

Pub Date: Aug. 21, 2014

ISBN: 978-1499656572

Page Count: 294

Publisher: CreateSpace

Review Posted Online: Oct. 24, 2014

Did you like this book?

No Comments Yet


While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

Did you like this book?

The phrase “tour de force” could have been invented for this audacious novel.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize

  • National Book Award Finalist


Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

No Comments Yet