An erotic yet high-minded literary achievement.
Dark academia meets forbidden love as an English boarding school matron falls in love with the headmaster’s wife, Mrs. S.
Unfolding through interior monologue, the novel follows the matron as she navigates her growing attraction to Mrs. S amid the politics of school administration and the complicated adolescent power dynamics of “The Girls,” as she calls the students. The protagonist, identified only as “Miss,” is drawn to Mrs. S from their first encounter, commenting, “I am discovered, I burn. Like her I stand my ground. Dare her to wave, to give that hand to me.” Given the circumstances, however, their erotic relationship evolves slowly and behind closed doors—via glances held just a moment too long or a finger grazing a back. As desire trumps vigilance, they increasingly risk exposure by colleagues, Mr. S, and even The Girls. “Loving her will be impossible,” the narrator confesses. “There is nothing I can do to stop it.” Patrick’s deft manipulation of narrative time and use of interior monologue to describe the tensions among thought, intention, and action recall the work of Virginia Woolf. The novel is also strikingly cinematic in its rendering of intimate moments: the setting sun filling the space between bodies moving closer toward each other in a kitchen, Mrs. S’ hand sliding slowly across the spines of the narrator’s books during a secret rendezvous. The drama of the forbidden affair keeps the reader voraciously turning the pages, but on a deeper level, the novel also offers an incisive and nuanced reflection on self-evolution as the narrator navigates the complexities of gender identity, social power, and the dynamic tension between private and public selves.
An erotic yet high-minded literary achievement.Pub Date: June 20, 2023
ISBN: 9781609458409
Page Count: 240
Publisher: Europa Editions
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
PERSPECTIVES
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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