A swift, unwavering pace complements sublimely complex characters.
In Brown’s YA adventure, an accident turns an 18-year-old female member of a city’s elite team of protectors into a superhero.
Delilah Greyson is just one of five trainees remaining in the competition to join the Defenders. There’s only one open spot on the team, which protects the citizens of Charlotte. All of Delilah’s training pays off, and she becomes the newest member. Unfortunately, team leader Jake blames her for their failure to capture the Amphibian—a giant monster terrorizing Charlotte—and benches her for subsequent missions. While on probation, Delilah searches for an unfinished invention (courtesy of the team’s second-in-command and resident nerd, David), seemingly for revenge against Jake, who locked away the unstable machine in his office. Inadvertently turning on the machine, she survives an ensuing explosion and wakes up sporting feathers and birdlike powers (e.g., flight). Delilah, in disguise, takes on the city’s criminals, which may include Elemental, a masked female with fire-and-ice powers. Elemental’s objectives, however, are ambiguous: cops have tried to stop her from freezing a river, but she’s also saved people from the Amphibian. Delilah, working with the Defenders as the White Dove (and still largely unidentified), will have to identify the real villain(s). Brown’s tongue-in-cheek novel acknowledges its absurdity while instilling chic comic-book components. Delilah, for example, initially describes herself as “a giant bird lady” but, in confrontations with baddies, coolly pulls feathers out of her wrist to use as weapons. The theme of good vs. bad—and the shades in between—is strong throughout and leads to a twist or two involving a few characters. The plot, however, occasionally baffles; at least one character, for example, knows Elemental’s true identity and has no discernible reason for keeping that info from Delilah. Regardless, superpowers are smartly incorporated. Elemental’s hair and outfit colors depend on which power she’s using, while Delilah’s flight is freedom from her Defenders probation. At the same time, the powers aren’t superficial; fire and ice correlate with Elemental’s apparent bipolar personality.
A swift, unwavering pace complements sublimely complex characters.Pub Date: March 15, 2016
ISBN: 978-1-4582-2010-3
Page Count: 188
Publisher: AbbottPress
Review Posted Online: Oct. 24, 2017
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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