A swift, unwavering pace complements sublimely complex characters.
In Brown’s YA adventure, an accident turns an 18-year-old female member of a city’s elite team of protectors into a superhero.
Delilah Greyson is just one of five trainees remaining in the competition to join the Defenders. There’s only one open spot on the team, which protects the citizens of Charlotte. All of Delilah’s training pays off, and she becomes the newest member. Unfortunately, team leader Jake blames her for their failure to capture the Amphibian—a giant monster terrorizing Charlotte—and benches her for subsequent missions. While on probation, Delilah searches for an unfinished invention (courtesy of the team’s second-in-command and resident nerd, David), seemingly for revenge against Jake, who locked away the unstable machine in his office. Inadvertently turning on the machine, she survives an ensuing explosion and wakes up sporting feathers and birdlike powers (e.g., flight). Delilah, in disguise, takes on the city’s criminals, which may include Elemental, a masked female with fire-and-ice powers. Elemental’s objectives, however, are ambiguous: cops have tried to stop her from freezing a river, but she’s also saved people from the Amphibian. Delilah, working with the Defenders as the White Dove (and still largely unidentified), will have to identify the real villain(s). Brown’s tongue-in-cheek novel acknowledges its absurdity while instilling chic comic-book components. Delilah, for example, initially describes herself as “a giant bird lady” but, in confrontations with baddies, coolly pulls feathers out of her wrist to use as weapons. The theme of good vs. bad—and the shades in between—is strong throughout and leads to a twist or two involving a few characters. The plot, however, occasionally baffles; at least one character, for example, knows Elemental’s true identity and has no discernible reason for keeping that info from Delilah. Regardless, superpowers are smartly incorporated. Elemental’s hair and outfit colors depend on which power she’s using, while Delilah’s flight is freedom from her Defenders probation. At the same time, the powers aren’t superficial; fire and ice correlate with Elemental’s apparent bipolar personality.
A swift, unwavering pace complements sublimely complex characters.Pub Date: March 15, 2016
ISBN: 978-1-4582-2010-3
Page Count: 188
Publisher: AbbottPress
Review Posted Online: Oct. 24, 2017
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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