Williams’ World War II spy thriller brings to life a shadowy world of espionage, Nazis and secret agents.
In 1933, Boston socialite Claire’s domineering industrial tycoon father inexplicably sends her mother away from their home. Claire goes to live with her aunt Noreen until, nearly a decade later, as World War II rages, Claire returns home. She finds her father as unpleasant as ever and embroiled in business with a mysterious and off-putting foreigner named Carsten Reiniger. Claire’s suspicions are confirmed when she and Noreen are kidnapped by Reiniger and her father, who are both working for the Nazis. Tailed by the U.S. government, the women and their captors flee to Germany. But Claire soon discovers that Reiniger may not be what he seems, and she must try to decipher the mystery while attempting to escape with her aunt. Williams vividly evokes the pre-war and wartime eras, depicting days of chaos, confusion and uncertainty. Likewise, she is mostly successful in avoiding the trap of drawing the Nazi characters as cartoonish villains or goose-stepping stooges; Williams’ Nazis are real folks with all the foibles of ordinary people, making them that much more chilling. Unfortunately, the same cannot be said of Claire’s father, who is introduced as an unrepentant bad guy and never moves beyond that one-dimensional characterization. The narrative crackles with intensity in the beginning but slows once the women are abducted. The bulk of the novel, a chronicle of Claire and Noreen’s passage to Germany as captives, presents a travel itinerary peppered with dialogue between the principals. Including several more intriguing situations, in addition to the mystery of Reiniger’s allegiance, would further the theme of duplicity. The book does pick up steam at the end but ratcheting up the suspense and editing for brevity would have made this a taut, lean thriller. Excels at historic details and characterization but lacks intrigue.
Pub Date: Jan. 27, 2012
ISBN: 978-1468193084
Page Count: 454
Publisher: CreateSpace
Review Posted Online: April 13, 2012
Review Program: Kirkus Indie
Categories: HISTORICAL FICTION | GENERAL FICTION
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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
Categories: LITERARY FICTION | HISTORICAL FICTION
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SEEN & HEARD
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Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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