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HIROSHIMA'S SHADOW

WRITINGS ON THE DENIAL OF HISTORY AND THE SMITHSONIAN CONTROVERSY

An exhaustive, controversial, and moving volume that has its origins in the Smithsonian Institution’s cancellation of a planned exhibition in 1994—95 of the Enola Gay, the plane that dropped the atomic bomb on Hiroshima. To be included in the exhibition’s script were several scholarly studies and a number of historical documents that questioned the military necessity and moral legitimacy of that act. The book, then, moves along two paths: a painstaking analysis of how and why the bomb came to be used, and a provocative deliberation on what the editors (Bird, a contributing editor of the Nation, and Lifschultz, former South Asia correspondent of the Far Eastern Economic Review) term the “pathology of denial” in the US surrounding our use of the bomb. While voices in support of the bombing of Hiroshima are to be found here, most of the contributors in various ways attempt to debunk the myths and assumptions that have built up concerning this act. The first part of the book offers selections by present-day historians. The second part is devoted to essays written shortly after the bombing. Part three focuses on the Smithsonian controversy itself. Part four presents chilling first-person accounts of the day Hiroshima died. The final part is devoted to historical documents, memos, and diary entries of those who participated in the decision to use the bomb and also public statements pleading against this decision. As a century of extreme barbarism draws to a close, the editors ask us to think critically about the US contribution to this barbarism, the unleashing upon the world of atomic and nuclear weapons. Their purpose is not to apportion blame, to point fingers, but rather to allow us to look at our history and perhaps gain what is often so elusive: wisdom. (8 b&w photos)

Pub Date: June 1, 1998

ISBN: 0-9630587-3-8

Page Count: 660

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1998

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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