An impressive mixture of emotional exploration and formal experiment.
Structurally ambitious flash fiction that examines all the ways—great and small—in which characters can be haunted.
The monsters in this latest collection from multigenre writer Brennan (Little Dark, 2014, etc.) range from the recognizable (ghosts, zombies) to the whimsical (a talking cat) to the darkly realistic (brain damage, a cancer diagnosis). These 39 stories, many of which are only a few pages long and some of which clock in at just a paragraph, foreground their construction: they are as much about language and form as they are about plot and character. In the title story, a father tells the tale of his daughter’s traumatic brain injury, and as the story progresses, nonsense words get subtly swapped for real ones, mimicking the breakdown of language the daughter goes through. “Last Quartet” is about four characters on a road trip—one of whom is dying—and every paragraph is comprised of four sentences, each devoted to a different person’s perspective. But if this all seems overly dour or overly fussy, it isn’t. Each story is infused with humor, most often a wry treatment of character and a deadpan delivery. (“To Whom It May Concern in My Creative Writing Class: A ‘fascinator’ is a kind of hat,” one narrator abruptly explains.) The stories can veer into the absurd, too, as in “The Corpse and Its Admirers,” the story of three women, perhaps at a funeral home, who engage in increasingly outlandish behavior in the presence of the family patriarch’s corpse. And, as is so often the case with absurdism, if there aren’t many happy endings for Brennan’s characters (or, really, any endings at all), the reader is luckier: there is delight in merely reading these innovative and unusual stories.
An impressive mixture of emotional exploration and formal experiment.Pub Date: Sept. 20, 2016
ISBN: 9781935536796
Page Count: 208
Publisher: Four Way
Review Posted Online: July 30, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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