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WILD DESIRE

Winner of the 1990 AWP Short Fiction Award: a collection of 18 uneven stories, written in a hyper-poetic minimalist style and mostly about families where poetic sensibilities fight for survival against abuse, crassness, bourgeois ordinariness, or secular tedium. Divided into three sections (``Building a House,'' ``Wild Desire,'' ``Floating''), the book alternates short pieces—often effectively dreamlike and impressionistic—with long ramblers that could benefit from a tight edit. Most are written in short lyrical instances—all have moments of sharp grandeur as well as mannered passages. Notables include: ``Building a House,'' a Donald Barthelme-like fable (``There are people who say building a house is too strenuous an activity for a woman. I would agree. My little wrists! My delicate spinal column!''); ``Polio,'' in which the disease spreads from son to mother while the daughter watches, wistful with magical thinking (``Only prayer. Deliverance through magic''); ``Floating,'' which begins with a first great sentence (``In the morning I levitated for the first time'') that Brennan develops delicately into an apt metaphor; and ``Trouble,'' a short- short in which a young boy, beaten up, tells his mother about it and thinks about God (``how it must be with the devils now running heaven''). The longer pieces are shot through with evocative renditions of relationships gone awry (or psychic or dead), but one thing follows another with only an occasional summarizing image or extended metaphor for anchor. Some of these were published in Chicago Review and Sonora Review. The best call to mind, ironically or whimsically, a spiritual counterworld that offers consolation in the face of disappointment, while the minimalist worst offer up rhyme without reason.*justify no*

Pub Date: Oct. 1, 1991

ISBN: 0-87023-751-9

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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