Hits all the right notes.
A young woman is torn between her church's principles and her passion for secular music—and a forbidden love—in Schreck’s delicately tuned debut set in Depression-era Chicago.
Raised in the Danish-Baptist Church, Rose Sorensen sings popular songs from the radio when she thinks no one's around. She revels in the rich tones of Mahalia Jackson and yearns for the freedom to sing openly, but she knows her parents would disapprove. Her family was once affluent, but now her dour father manages tenement buildings, which Rose cleans, and they live in a cramped apartment. Rose's 14-year-old sister, Sophy, who has cerebral palsy and uses a wheelchair, is Rose's biggest supporter, encouraging her to be happy and sing whatever she wants. Her cousin Rob also understands Rose's passion, and for her 21st birthday, he takes her on a covert outing to Calliope’s, a jazz club that welcomes blacks and whites. Rose’s life is transformed. Defying her parents, she secretly becomes lead singer for the Chess Men, an interracial band, and falls in love with black pianist Theo Chastain. Rose’s life sways back and forth between the club and Theo—who often pretends to be Rose’s driver to mask their relationship from others—and her role as dutiful daughter, continuing to sing at church and feigning interest in an acceptable suitor. Inevitably, Rose’s two worlds collide, and she and Theo have to make decisions about the Chess Men and their future. Schreck delivers an articulate, well-researched story with an inspirational message about following your dreams; and her passion for the era, its music and her characters is unmistakable.
Hits all the right notes.Pub Date: April 8, 2014
ISBN: 978-1-4767-0548-4
Page Count: 336
Publisher: Howard Books/Simon & Schuster
Review Posted Online: Feb. 19, 2014
Kirkus Reviews Issue: March 1, 2014
BOOK REVIEW
A not-very-illuminating updating of Chaucer’s Tales.
Continuing his apparent mission to refract the whole of English culture and history through his personal lens, Ackroyd (Thames: The Biography, 2008, etc.) offers an all-prose rendering of Chaucer’s mixed-media masterpiece.
While Burton Raffel’s modern English version of The Canterbury Tales (2008) was unabridged, Ackroyd omits both “The Tale of Melibee” and “The Parson’s Tale” on the undoubtedly correct assumption that these “standard narratives of pious exposition” hold little interest for contemporary readers. Dialing down the piety, the author dials up the raunch, freely tossing about the F-bomb and Anglo-Saxon words for various body parts that Chaucer prudently described in Latin. Since “The Wife of Bath’s Tale” and “The Miller’s Tale,” for example, are both decidedly earthy in Middle English, the interpolated obscenities seem unnecessary as well as jarringly anachronistic. And it’s anyone’s guess why Ackroyd feels obliged redundantly to include the original titles (“Here bigynneth the Squieres Tales,” etc.) directly underneath the new ones (“The Squires Tale,” etc.); these one-line blasts of antique spelling and diction remind us what we’re missing without adding anything in the way of comprehension. The author’s other peculiar choice is to occasionally interject first-person comments by the narrator where none exist in the original, such as, “He asked me about myself then—where I had come from, where I had been—but I quickly turned the conversation to another course.” There seems to be no reason for these arbitrary elaborations, which muffle the impact of those rare times in the original when Chaucer directly addresses the reader. Such quibbles would perhaps be unfair if Ackroyd were retelling some obscure gem of Old English, but they loom larger with Chaucer because there are many modern versions of The Canterbury Tales. Raffel’s rendering captured a lot more of the poetry, while doing as good a job as Ackroyd with the vigorous prose.
A not-very-illuminating updating of Chaucer’s Tales.Pub Date: Nov. 16, 2009
ISBN: 978-0-670-02122-2
Page Count: 436
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2009
PERSPECTIVES
Vivid prose isn’t enough to lift this book from its own excruciating depths.
An avid young Hitler supporter discovers that his parents have been hiding a Jewish girl in their house.
Johannes Betzler is a child in Vienna when Hitler comes to power and Austria votes for annexation. In school, he learns that “our race, the purest, didn’t have enough land” but that “the Führer had trust in us, the children; we were his future.” Johannes joins the Jungvolk and, once he’s old enough, the Hitler Youth. At home, meanwhile, his parents grow more and more discomfited; they’re quietly opposed to the Nazi party but well aware of the danger they’d be in if they voiced their opposition—even to their own son. Then, as a teenager, Johannes is maimed by a bomb, losing a hand and part of his cheekbone. Wounded, he returns home, where for months he is bedridden, alone in the house with his mother and grandmother. Increasingly, his father is—mysteriously—gone. His mother seems to be acting oddly and, finally, Johannes discovers the reason why: There is a girl, a Jewish girl, hidden upstairs in a secret partition. This is where Leunens’ (Primordial Soup, 2002) novel takes off. Johannes becomes increasingly fixated upon Elsa. At first, her existence prompts him to question his devotion to Hitler—is he betraying the Führer by not reporting his parents?—but as time goes on, and as Johannes’ preoccupation with Elsa grows more sexual, these doubts fade. Leunens is a strong writer, her prose supple and darkly engaging. Her depiction of wartime Vienna is nearly cinematic and utterly convincing. But it isn’t clear if Johannes is meant to be a sympathetic character, and as the novel goes on, and his choices grow more and more disturbing, it becomes harder to sympathize with him. Nor does he change, exactly, over the course of the book, although his circumstances certainly do. Ultimately, it’s unclear what Leunens’ larger purpose is. This is a dark, disturbing novel—but to what end?
Vivid prose isn’t enough to lift this book from its own excruciating depths.Pub Date: Aug. 6, 2019
ISBN: 978-1-4197-3908-8
Page Count: 304
Publisher: Overlook
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
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BOOK TO SCREEN
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