A fantastic novel: technically and intellectually complex, while emotionally gripping.
What is the boundary between human and animal beings and what happens when that boundary is blurred are two of many questions raised in Fowler’s provocative sixth novel (The Jane Austen Book Club, 2004, etc.), the narration of a young woman grieving over her lost sister, who happens to be a chimpanzee.
Rosemary recounts her family history at first haltingly and then with increasingly articulate passion. In 1996, she is a troubled student at U.C. Davis who rarely speaks out loud. She thinks as little as possible about her childhood and the two siblings no longer part of her family. But during a Thanksgiving visit home to Bloomington, Ind., where her father is a psychology professor, that past resurfaces. Rosemary recalls her distress as a 5-year-old when she returned from visiting her grandparents to find her family living in a new house and her sister Fern gone. Denying any memory of why Fern disappeared, she claims to remember only the aftermath: her mother’s breakdown; her father’s withdrawal; her older brother Lowell’s accelerating anger until he left the family at 18 to find Fern and become an animal rights activist/terrorist; her own continuing inability to fit in with human peers. Gradually, Rosemary acknowledges an idyllic earlier childhood when she and Fern were inseparable playmates on a farm, their intact family shared with psych grad students. By waiting to clarify that Fern was a chimpanzee, Rosemary challenges readers to rethink concepts of kinship and selfhood; for Rosemary and Lowell, Fern was and will always be a sister, not an experiment in raising a chimpanzee with human children. And when, after 10 years of silence, Lowell shows up in Davis to describe Fern’s current living conditions, he shakes free more memories for Rosemary of her sibling relationship with Fern, the superior twin she loved, envied and sometimes resented. Readers will forgive Fowler’s occasional didacticism about animal experimentation since Rosemary’s voice—vulnerable, angry, shockingly honest—is so compelling and the cast of characters, including Fern, irresistible.
A fantastic novel: technically and intellectually complex, while emotionally gripping.Pub Date: May 30, 2013
ISBN: 978-0-399-16209-1
Page Count: 320
Publisher: Marian Wood/Putnam
Review Posted Online: Feb. 26, 2013
Kirkus Reviews Issue: March 15, 2013
PROFILES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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