A fantastic novel: technically and intellectually complex, while emotionally gripping.

WE ARE ALL COMPLETELY BESIDE OURSELVES

What is the boundary between human and animal beings and what happens when that boundary is blurred are two of many questions raised in Fowler’s provocative sixth novel (The Jane Austen Book Club, 2004, etc.), the narration of a young woman grieving over her lost sister, who happens to be a chimpanzee.

Rosemary recounts her family history at first haltingly and then with increasingly articulate passion. In 1996, she is a troubled student at U.C. Davis who rarely speaks out loud. She thinks as little as possible about her childhood and the two siblings no longer part of her family. But during a Thanksgiving visit home to Bloomington, Ind., where her father is a psychology professor, that past resurfaces. Rosemary recalls her distress as a 5-year-old when she returned from visiting her grandparents to find her family living in a new house and her sister Fern gone. Denying any memory of why Fern disappeared, she claims to remember only the aftermath: her mother’s breakdown; her father’s withdrawal; her older brother Lowell’s accelerating anger until he left the family at 18 to find Fern and become an animal rights activist/terrorist; her own continuing inability to fit in with human peers. Gradually, Rosemary acknowledges an idyllic earlier childhood when she and Fern were inseparable playmates on a farm, their intact family shared with psych grad students. By waiting to clarify that Fern was a chimpanzee, Rosemary challenges readers to rethink concepts of kinship and selfhood; for Rosemary and Lowell, Fern was and will always be a sister, not an experiment in raising a chimpanzee with human children. And when, after 10 years of silence, Lowell shows up in Davis to describe Fern’s current living conditions, he shakes free more memories for Rosemary of her sibling relationship with Fern, the superior twin she loved, envied and sometimes resented. Readers will forgive Fowler’s occasional didacticism about animal experimentation since Rosemary’s voice—vulnerable, angry, shockingly honest—is so compelling and the cast of characters, including Fern, irresistible.

A fantastic novel: technically and intellectually complex, while emotionally gripping.

Pub Date: May 30, 2013

ISBN: 978-0-399-16209-1

Page Count: 320

Publisher: Marian Wood/Putnam

Review Posted Online: Feb. 27, 2013

Kirkus Reviews Issue: March 15, 2013

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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