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THE STUFF OF LIFE

A DAUGHTER’S MEMOIR

Karbo’s wit even in the worst of times brightens what could have been just another dreary disease drama.

Wrenchingly sad and remarkably funny account of one woman’s attempt to ease her stiff-upper-lip father through his final illness.

Novelist and nonfiction author Karbo (Generation Ex, 2001, etc.), whose journalism assignments take her diving off Venezuela and to the White House pressroom, is nearly flummoxed by the caregiver role. Having been largely absent as a teenager when her mother was dying of brain cancer, the writer is determined when she learns that her father has lung cancer that things will be different this time. Commuting from her home in Oregon, where she is principal breadwinner for a patchwork family, to his trailer near Boulder City, Nevada, means crossing not just miles but a huge culture gap. Dubbed the Palace of the Golden Sofa by Karbo, her father’s desert home is a triple-wide stocked with Tupperware and guns, including an AK-47. With grit and humor, the author describes the usual maddening encounters with uncommunicative doctors as her extraordinarily stoical father undergoes surgery, radiation, and chemotherapy; she also vividly chronicles his gradual physical decline and, as the cancer reaches his brain, his mental deterioration. Most impressive, though, is Karbo’s willingness to share her feelings, including doubt and guilt: Should she be buying him the cigarettes he still demands? When she prays that his pain will go away, does this mean she really just wants everything to be over and soon? Between stays in the desert, her own hectic life goes on at home as she faces deadlines for magazine assignments, promotes her latest novel, and cares for her own young daughter and her two stepchildren by her husband’s two ex-wives. The contrast between the messy business of living in one household and quiet, slow dying in the other gives this a fine tension.

Karbo’s wit even in the worst of times brightens what could have been just another dreary disease drama.

Pub Date: Oct. 1, 2003

ISBN: 1-58234-183-4

Page Count: 256

Publisher: Bloomsbury

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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AN INVISIBLE THREAD

THE TRUE STORY OF AN 11-YEAR-OLD PANHANDLER, A BUSY SALES EXECUTIVE, AND AN UNLIKELY MEETING WITH DESTINY

A straightforward tale of kindness and paying it forward in 1980s New York.

When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.

 

Pub Date: Nov. 1, 2011

ISBN: 978-1-4516-4251-3

Page Count: 288

Publisher: Howard Books/Simon & Schuster

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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