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BELLADONNA

Second-novelist Moline (Lunch, 1994) returns, this time with an S&M wannabe that hovers somewhere between deliciousness and dreck. The notorious femme fatale Belladonna, who’s always masked and who always travels bookended by her bodyguards, owns the hottest nightclub in 1950s New York. She’s set up shop there with an army of security guards, spies, hidden microphones, and enough costumes, wigs, and jewels for a Cecil B. De Mille production—all in order to ensnare and destroy the “Hellfire Club” of British aristocrats who, in 1935, auctioned her off for a million pounds to a man known only as His Lordship, a British sadist who kept her drugged, tortured, and sexually enslaved for 12 years, and who supposedly stole her infant son. Helped to escape from His Lordship’s prison by Thomasina and Matter Canaan, twins from Brooklyn, who were castrated by the Italian Fascists and rescued by His Lordship to do his bidding, Belladonna spends her life plotting revenge. And while she waits, she uses her vast supply of money and power to help other women who—ve also been betrayed by men. In this effort she’s been aided by a wise and kindly old Italian count, Leandro, who nursed her back to health, married her, died, and left her enough money to “buy the Bank of England.” Belladonna’s tortured life, as told by her faithful and purportedly witty companion Thomasina, is intercut with sections of Belladonna’s memoir of enslavement (printed completely in italics), which any reader who has seen a bad S&M movie can already predict (tight corsets, blindfolds, chains, dungeons, and a lot of unpleasant abuse). Belladonna (formerly Isabella Ariel) eventually confronts His Lordship and, after exacting her revenge, even learns to love again. Trite and unconvincing. Neither grim enough to compel nor gaudy enough to entertain.

Pub Date: May 7, 1998

ISBN: 0-446-52318-6

Page Count: 512

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 1998

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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