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BELLADONNA

Second-novelist Moline (Lunch, 1994) returns, this time with an S&M wannabe that hovers somewhere between deliciousness and dreck. The notorious femme fatale Belladonna, who’s always masked and who always travels bookended by her bodyguards, owns the hottest nightclub in 1950s New York. She’s set up shop there with an army of security guards, spies, hidden microphones, and enough costumes, wigs, and jewels for a Cecil B. De Mille production—all in order to ensnare and destroy the “Hellfire Club” of British aristocrats who, in 1935, auctioned her off for a million pounds to a man known only as His Lordship, a British sadist who kept her drugged, tortured, and sexually enslaved for 12 years, and who supposedly stole her infant son. Helped to escape from His Lordship’s prison by Thomasina and Matter Canaan, twins from Brooklyn, who were castrated by the Italian Fascists and rescued by His Lordship to do his bidding, Belladonna spends her life plotting revenge. And while she waits, she uses her vast supply of money and power to help other women who—ve also been betrayed by men. In this effort she’s been aided by a wise and kindly old Italian count, Leandro, who nursed her back to health, married her, died, and left her enough money to “buy the Bank of England.” Belladonna’s tortured life, as told by her faithful and purportedly witty companion Thomasina, is intercut with sections of Belladonna’s memoir of enslavement (printed completely in italics), which any reader who has seen a bad S&M movie can already predict (tight corsets, blindfolds, chains, dungeons, and a lot of unpleasant abuse). Belladonna (formerly Isabella Ariel) eventually confronts His Lordship and, after exacting her revenge, even learns to love again. Trite and unconvincing. Neither grim enough to compel nor gaudy enough to entertain.

Pub Date: May 7, 1998

ISBN: 0-446-52318-6

Page Count: 512

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 1998

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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