Next book

LUNCH

A first novel about the strange, violent sexual games played by a Hollywood star, and about an artist who refuses to be his victim. Narrator M works for Nick Muncie, America's biggest action movie star. M's facial scars are a hideous reminder of Nick's secret past in abusive foster homes and brutal gangs of runaways. Today M is Nick's right arm and his procurer. He also likes to watch while Nick has perverse, often sadistic sex with various women, and Nick likes an audience. In London to film a movie about Faust, Nick is surveying restaurant patrons like ``a raptor seeking its prey'' when Olivia Morgan rushes in and sits at the next table. A portraitist who depicts people as they truly are, Olivia refuses to paint Nick. But her fiancÇ, a concert pianist on tour in the Orient, encourages her to seize the opportunity, and she finally agrees. During their sittings—she paints Nick as the Minotaur, standing in a maze—Olivia is drawn to the star's passion and hunger; she agrees to see him after the portrait is finished. M has set up a London hideaway, complete with video equipment behind two-way mirrors. Their lunchtime sexual encounters infuse Nick's acting and Olivia's painting with new life, and their trysts become more dangerous. Unlike Nick's other conquests, Olivia plays his game on her own terms, and he becomes increasingly addicted to the woman who has declared herself unhaveable. Ultimately, what happens between Nick and Olivia has nothing to do with the love she feels for her fiancÇ, and when the film is finished so is their affair. Nick and M choreograph one last savage farewell that almost destroys them all. Sometimes a mesmerizing read, but M is a frustratingly undefined narrator. The sexual obsession of Nick and Olivia also remains elusive and, finally, implausible.

Pub Date: Sept. 21, 1994

ISBN: 0-688-13320-7

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1994

Categories:
Next book

BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:
Close Quickview