by Karen Salyer McElmurray ‧ RELEASE DATE: Oct. 4, 2004
Labored, self-indulgent womb-gazing.
Novelist McElmurray (Strange Birds in the Tree of Heaven, 1999) recounts in overwrought prose how she gave up her newborn son for adoption and lived to regret it.
Although she can’t remember whether her baby was born in June or July 1973, the author describes vividly the harrowing experience of giving birth at age 16. She never explicitly explains why she decided to give up her son, or why she refused to allow her father to adopt him, but she makes it abundantly clear that her own parents were poor role models, dwelling on the awfulness of her mother, an agoraphobic, controlling woman obsessed with cleanliness and incapable of showing love. When her parents divorced, McElmurray chose to live with her father and quickly plunged into a world of drugs, drinking, and teenage sex. A pregnant runaway at 15, she lived the hippie life until hauled home by her father and forced into marriage. Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, her memoir features a graphic account of her hippie days that is creative indeed. What McElmurray (Creative Writing/Georgia College and State Univ.) cannot remember she recreates, leaving the reader wondering how much of her story is real and how much spun from an inventive writer’s brain. Once divorced from her husband, she continued her education and became a teacher. From an adult perspective, she analyzes her subsequent sexual behavior, detailing various unrewarding love affairs. She also covers a reunion with her stifled mother, eventual marriage to an appreciative man, and her long-delayed efforts to locate her son.
Labored, self-indulgent womb-gazing.Pub Date: Oct. 4, 2004
ISBN: 0-8203-2681-X
Page Count: 256
Publisher: Univ. of Georgia
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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