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GENERATION CHEF

RISKING IT ALL FOR A NEW AMERICAN DREAM

A thoughtfully observed study of what it takes to open a successful restaurant in the most competitive marketplace in the...

Journalist and narrative nonfiction author Stabiner (Getting In, 2010, etc.) closely tracks a talented, ambitious chef as he opens his first restaurant in New York.

When Jonah Miller made the decision to quit his job and open his first restaurant, he had already worked at a number of prestigious restaurants in the city. He began at 14 as an intern at Chanterelle and later worked in the kitchen at the famed Gramercy Tavern and as a sous chef at Maialino, along the way earning an enviable reputation within the highly competitive NYC food scene and being named to the 30-under-30 lists at both Forbes and Zagat. As expected, opening a restaurant in New York proved extremely difficult, with the risk of failure at every turn. Stabiner follows Jonah at each step in his decision-making, from the 18-month planning stage through his first year of business, building small narrative dramas as each event unfolds. With meticulous detail, perhaps too much for some readers, she chronicles his challenges finding investors, choosing a location, building out the space, and hiring, maintaining, and occasionally losing staff. Would the restaurant receive a coveted review from the New York Times? Would Jonah eventually be granted a full liquor license? After settling on a location in the East Village, Josh opened Huertas, a restaurant serving Basque-influenced cuisine, in 2014. “Jonah had a hunch that the city needed the kind of Spanish food he wanted to make, an accessible cuisine that still had novelty going for it,” writes the author. “He had to make Huertas work; at twenty-five, Jonah had narrowed his options to one. Being a chef, running his own restaurant and from there, a group of them, was all he wanted to do, and what he was trained to do.”

A thoughtfully observed study of what it takes to open a successful restaurant in the most competitive marketplace in the world.

Pub Date: Sept. 13, 2016

ISBN: 978-1-58333-580-2

Page Count: 288

Publisher: Avery

Review Posted Online: July 3, 2016

Kirkus Reviews Issue: July 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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