An enticing and elegant series finale filled with magic and turmoil.



From the The Silver Web series , Vol. 3

In this conclusion of a fantasy trilogy, treachery and thoughts of retribution may spawn a devastating war between kingdoms.

Eolyn, high maga and queen of Moisehén, is content in Moehn with her princess daughter, Briana, and maga (female) students. But the king’s mages, at the order of Eolyn’s husband, Akmael the mage king, demand all magas return to the City, their arms taken and their magic bound. Eolyn retains her own magic, but she, along with every maga, is held prisoner in the City. This is the king’s response to Eolyn’s student Maga Ghemena and two other maga warriors committing treason by freeing captive (and princess) Eliasara. Eliasara’s the daughter of Akmael and his previous wife/queen, Taesara, a princess of Roenfyn who’s been in a decadelong exile. Once mother and daughter are reunited, Ghemena promises a chance at vengeance against Akmael—aligning with other kingdoms and placing Eliasara rightfully on Moisehén’s throne. With the king distrustful of magas and her student’s reputed betrayal, Eolyn, relegated to the East Tower, searches for allies or perhaps just a friend (for example, Mage Corey of East Selen). War, meanwhile, is imminent, and a wizard’s curse incites chaos within Moisehén. Gastreich (Sword of Shadows, 2016, etc.) thankfully ends her series with the strongest entry. Characters, for one, are superbly fleshed out; there’s sympathy on both sides, as even Taesara, a wronged woman whose thirst for revenge is understandable, contemplates opting for peace in lieu of a confrontation. Nearly the entire plot is a tense buildup to an inevitable battle, but along the way are turncoats, surprising deaths, and a few bloody fights (at their best when Eolyn wields her sword, Kel’Barú). And as in the preceding books, the author writes in a refined, assertive style: “The silver-white blade flashed like lightning against a starless night, painting ribbons of black over jade-colored flesh, eliciting howls of rage and pain.” The climax may not be what some readers anticipate, but it’s impactful and wholly satisfactory.

An enticing and elegant series finale filled with magic and turmoil.

Pub Date: May 1, 2017

ISBN: 978-0-9972320-2-8

Page Count: 384

Publisher: Self

Review Posted Online: May 19, 2017

Kirkus Reviews Issue: June 15, 2017

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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