by Karl Hiltner ‧ RELEASE DATE: March 2, 2022
Dark, thoughtful stories, hampered by a lack of concreteness and intimacy.
Hiltner’s short story collection explores loss, alienation, and regret.
The author assembles nearly two dozen short stories, most of them so brief the entire books falls well short of 200 pages. They are impressionistic glimpses of time, painted in the broadest of literary strokes. Most of the stories assembled are presented by an unnamed narrator who communicates in informally anecdotal terms. The brevity of the pieces leaves little room for intricate plots and character development; in fact, the author often doesn’t name the people in his narratives. Hiltner seems much more interested in conjuring a saturnine atmosphere, a gloomy ambience meant to haunt rather than titillate. In “Tecumseh,” an old Native American hermit occupies the land that once belonged to his forebears and quietly whiles away his days until he dies. The narrator of the story relates his remembrance of the old man—“Tecumseh” is the name White people dismissively give him—and the fear his inscrutability instilled in the narrator as a 12-year-old boy. While there is virtually no plot, Hiltner evokes a sense of anguished but dignified loss on the part of Tecumseh, who is simultaneously proud of his heritage and mortified by its destruction. Similarly, in “Jim, Nell, and Kate,” Vernon, a farmer, bitterly disappointed by life and hopelessly locked in a “loveless marriage of convenience,” expresses his frustration through cruelty to his family, though he treats his horses well. Again, there is little plot to speak of, but the author deftly paints a portrait of a man defeated, developing Vernon into the most fully realized character in the entire collection.
For the most part, Hiltner’s prose is plainly foursquare, unembellished, and lucid (“There was always the smell and always the sun. It was there when you deplaned in Tan Son Nhat, you could not escape it once you arrived, and for the rest of your life you could never be free from the memory of the smell of Vietnam.”) When he reaches for emotional heights, he sometimes strains laboriously, missing poignancy and hitting earnest sentimentality. In “There is Something I Want to Tell You,” two brothers fight overseas in World War II—both are unnamed, which contributes to the tale’s sterility—but only the younger brother makes it home. When the war’s end was in sight, the older brother expressed a desire to meet his younger brother in England, and it tortures the younger man to never know why: “He would never understand that all it was, was a way for the older to say goodbye, to say he was not coming home to the family, or to his store, or to the places in which they had grown up.” The story feels like an abstraction— neither the characters nor their lives feel substantial, and as a result the despair the younger brother suffers remains remote from the reader. This is the characteristic failing of the entire collection—while all the stories are thoughtfully rendered, they are often so threadbare they lack dramatic resonance. The stories feel like sketches to be more thoroughly elaborated upon at a later date, or academic exercises assigned in a collegiate writing class.
Dark, thoughtful stories, hampered by a lack of concreteness and intimacy.Pub Date: March 2, 2022
ISBN: 9798985215427
Page Count: 175
Publisher: Kniemst Press
Review Posted Online: March 8, 2023
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Tana French ‧ RELEASE DATE: March 31, 2026
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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