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SURRENDER AND OTHER STORIES

Dark, thoughtful stories, hampered by a lack of concreteness and intimacy.

Hiltner’s short story collection explores loss, alienation, and regret.

The author assembles nearly two dozen short stories, most of them so brief the entire books falls well short of 200 pages. They are impressionistic glimpses of time, painted in the broadest of literary strokes. Most of the stories assembled are presented by an unnamed narrator who communicates in informally anecdotal terms. The brevity of the pieces leaves little room for intricate plots and character development; in fact, the author often doesn’t name the people in his narratives. Hiltner seems much more interested in conjuring a saturnine atmosphere, a gloomy ambience meant to haunt rather than titillate. In “Tecumseh,” an old Native American hermit occupies the land that once belonged to his forebears and quietly whiles away his days until he dies. The narrator of the story relates his remembrance of the old man—“Tecumseh” is the name White people dismissively give him—and the fear his inscrutability instilled in the narrator as a 12-year-old boy. While there is virtually no plot, Hiltner evokes a sense of anguished but dignified loss on the part of Tecumseh, who is simultaneously proud of his heritage and mortified by its destruction. Similarly, in “Jim, Nell, and Kate,” Vernon, a farmer, bitterly disappointed by life and hopelessly locked in a “loveless marriage of convenience,” expresses his frustration through cruelty to his family, though he treats his horses well. Again, there is little plot to speak of, but the author deftly paints a portrait of a man defeated, developing Vernon into the most fully realized character in the entire collection.

For the most part, Hiltner’s prose is plainly foursquare, unembellished, and lucid (“There was always the smell and always the sun. It was there when you deplaned in Tan Son Nhat, you could not escape it once you arrived, and for the rest of your life you could never be free from the memory of the smell of Vietnam.”) When he reaches for emotional heights, he sometimes strains laboriously, missing poignancy and hitting earnest sentimentality. In “There is Something I Want to Tell You,” two brothers fight overseas in World War II—both are unnamed, which contributes to the tale’s sterility—but only the younger brother makes it home. When the war’s end was in sight, the older brother expressed a desire to meet his younger brother in England, and it tortures the younger man to never know why: “He would never understand that all it was, was a way for the older to say goodbye, to say he was not coming home to the family, or to his store, or to the places in which they had grown up.” The story feels like an abstraction— neither the characters nor their lives feel substantial, and as a result the despair the younger brother suffers remains remote from the reader. This is the characteristic failing of the entire collection—while all the stories are thoughtfully rendered, they are often so threadbare they lack dramatic resonance. The stories feel like sketches to be more thoroughly elaborated upon at a later date, or academic exercises assigned in a collegiate writing class.

Dark, thoughtful stories, hampered by a lack of concreteness and intimacy.

Pub Date: March 2, 2022

ISBN: 9798985215427

Page Count: 175

Publisher: Kniemst Press

Review Posted Online: March 8, 2023

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

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  • New York Times Bestseller

Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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