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NOW FACE TO FACE

A disappointing follow-up to Koen's much hoopla'd debut, Through a Glass Darkly (1986). Here, the historical detail weighs down and muddles far more than it enriches. Beautiful Barbara Montgeoffry, otherwise known as widowed Countess Devane, is back, and this time she's taking America by storm. Set in the 1720s, this complicated blend of fact and fancy has Barbara, with longtime servants ThÇräse and Hyacinthe, land in colonial Virginia, where she's been sent to assess her grandmother's newly acquired tobacco plantation—and to escape unwanted suitors at home. Though still in mourning-black, the irrepressible countess wastes no time in lining up other admirers, including wise and elderly Colonel Perry and the dashing sea captain Klaus von Rothbach. While Barbara (now 20) is duly horrified by the rustic conditions of her temporary homeland, the evils of slavery, and the difficulty of running a working plantation, all is not well at home, where a Jacobite plot wreaks havoc on the House of Hanover and on the loved ones (and not so loved) she's left behind: her grandmother, the Duchess of Tamworth; a best friend and mother of three, Jane Cromwell; favorite cousin and former suitor Tony; and conniving mother Diana, who's started an affair with Charles, Barbara's own lover before she set sail for the New World. After much strife, Barbara finally returns to England, quickly becomes again the toast of the town (and of the king), then is forced to deal head-on with mixed loyalties and a potentially destructive affair with Laurence Slane, a spy for James III and a major player in the fight to put him on the throne. Koen's two storylines—Barbara's life in Virginia and the political upheaval in England—don't mesh well, while her heroine remains unconvincingly high-spirited throughout. (Author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-394-56929-6

Page Count: 784

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1995

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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