Cheery fun that will leave series fans “egg”-static.
In his latest outing, Bear and his pals go in search of eggs.
Bear “lumbers with his friends through the Strawberry Vale.” Raven finds a nest; climbing up, “The bear finds eggs!”: a refrain that appears throughout. Instead of eating the robin’s eggs, however, Bear leaves a gift of dried berries in the nest for the “soon-to-be-chicks.” Next, the friends find 10 mallard eggs (as bright blue as the robin’s), and Bear leaves sunflower seeds. Then the wail of Mama Meadowlark, whose bright yellow undercarriage strikes a warm golden note, leads them to promise to find her lost eggs. With his friends’ assistance, Bear finds one, and they decide to paint them “so they aren’t lost again.” Another is discovered, painted, and placed in Hare’s basket. After hours of persistent searching, Bear suddenly spots the remaining two eggs “in a small patch of clover.” Before they can return these eggs, the chicks hatch and rejoin their mother. Back at his lair, Bear, with his troupe, is visited by all 17 chicks and the robin, mallard, and meadowlark moms: “And the bear finds friends!” Though this sweet spring tale centers on finding and painting eggs, it makes no overt references to Easter. The soft green and blue acrylics, predictable rhymes, and rolling rhythm make this series installment another low-key natural read-aloud.
Cheery fun that will leave series fans “egg”-static. (Picture book. 3-6)Pub Date: Jan. 16, 2024
ISBN: 9781665936552
Page Count: 40
Publisher: McElderry
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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