by Karolina Waclawiak ‧ RELEASE DATE: July 7, 2015
This would-be dark comedy of manners will be too dark for some.
Twisted, depressed characters are up to no good in a tony East Coast beach town.
"Each time they put up big white signs welcoming people to LITTLE NECK COVE, A CONNECTICUT BEACH ENCLAVE, they were set on fire or spray-painted. The new homes that were being built on Spruce were vandalized. Everyone thought it was townies....But it wasn't them. It was us: me, Joe, Steven, Chucky, and Rob. That's what was so funny. It was us all along—their own children doing it to them." This is Teddy speaking, one of two unlikable narrators of this creepy story of suburban dysfunction and violence. Just kicked out of Dartmouth, Teddy has rolled home to live with his father, Jeffrey, and stepmother, Cheryl, a much younger retail clerk Jeffrey married after ditching Teddy's mother—who fell drunkenly to her death off a pier a few months later. In any case, folks are not welcoming anyone to Little Neck Cove anymore. As the story opens, the two-dimensional country-club ladies who populate the "enclave" are throwing fits about the local men who come to fish from the rocks each morning. Once aggressive measures are taken to keep out these potential intruders, who are in fact totally harmless, Little Neck's denizens are hemmed in by a massive, gleaming white fence. Behind it, things go south as the bored, drunk, pill-popping head cases of the community torment, maim, and sexually harass each other. Subtly edged out and ostracized by the other women, abandoned by her husband, haunted by her past, Cheryl becomes increasingly alienated and unmoored and rushes, in her muffled and deadpan way, toward the story's apocalyptic denouement.
This would-be dark comedy of manners will be too dark for some.Pub Date: July 7, 2015
ISBN: 978-1-941393-29-1
Page Count: 256
Publisher: Regan Arts
Review Posted Online: April 3, 2015
Kirkus Reviews Issue: April 15, 2015
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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New York Times Bestseller
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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