A tale of love and intrigue with a clever narrative structure and pleasant Caribbean setting but hampered by editing and...
In Rae’s debut romance/suspense novel, a grieving widow and a successful musician find love and mystery in St. Croix.
In Kansas City, Missouri, Andrea “Annie” Whitman receives the devastating news that her beloved husband, Jack, has been killed in a car accident. She first seeks solace with her husband’s family before drowning her sorrows in alcohol. Her grief turns to suspicion, however, when a series of curious incidents causes her to question the circumstances surrounding her husband’s death. She receives a set of keys at the reading of Jack’s will that leads her to a box hidden in a crawl space; in it, she discovers a passport with her photo and a false name and a set of photos taken in St. Croix. Determined to discover the truth behind her husband’s death, she travels to the Caribbean island, where she meets Kessler Carlisle, a country-music superstar enjoying an early retirement in the tropical paradise. Although romance is the last thing on his mind, he connects with Annie immediately and passionately. As their attraction deepens, they also uncover Jack’s web of deception, which places the lovers in grave danger. Rae’s novel includes some solid stylistic flourishes. Its most successful element is its structure: most chapters are told from either Annie’s or Kessler’s first-person point of view, with many of the same events shown through both their perspectives. This technique effectively develops the characters as they let down their guards and take their first steps toward romance. Rae also uses the island setting well when crafting her action sequences. However, the book’s editing is spotty; for example, Kessler says he lives in a “1900s Tutor” instead of a Tudor. Also, even though the dialogue seems intended to be a bit rough-hewn, its pervasive profanity (“Looking back, I was the fool: the clichéd Monet—lovely from afar, straight fucking mess up close”) may alienate some readers.
A tale of love and intrigue with a clever narrative structure and pleasant Caribbean setting but hampered by editing and dialogue issues.Pub Date: March 21, 2014
ISBN: 978-0996092258
Page Count: 234
Publisher: CreateSpace
Review Posted Online: March 13, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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